Summing up the discussion will be the main conclusions reached about the art of Castro as a dramatist. These conclusions can be briefly expressed as follows: (1) the basic structure of the plays, and Castro\u27s ideals and motivations, had their inception in the Valencian theater of his youth; (2) the main contribution of the Lopean comedia was to teach him the techniques for attaining greater unity of action and to instruct him in the uses of humor; (3) Castro\u27s greatest inspiration came from popular sources such as the romancero, rather than from learned works; (4) his work is exceedingly subjective; and (5) his greatest achievement lie in the area of the re-creation of legendary material, of characterization, and of the building of sc...
As três peças que designamos por Barcas foram sequencialmente representadas, entre 1516 ou 1517 (Aut...
The present article considers aspects of the dramatic genre, illustrating the arguments adduced with...
This essay is an attempt to consider Cervantes¿s theater using the presuppositions of poetics and li...
This analysis, written in Spanish, compares the use of violence in four of Castro's dramas with its ...
“Communities of Playmaking: Guill�n de Castro in the Development of the Comedia” examines the develo...
This study makes no claim for a direct influence of Lope de Vega on Diego Velázquez, especially in t...
José Julián López de Castro es un escritor madrileño del siglo XVIII que, pese a tener una obra l...
En este artículo se exploran las conexiones intelectuales, hasta ahora desapercibidas, entre el teat...
This work, The theatre of Ramón del Valle-Inclán, studies the dramatic literature of an author who c...
José Julián López de Castro is an 18th century writer born in Madrid who, despite of having a signif...
During the sixteenth century, the Spanish theater began to indicate the tendencies that the drama wa...
To establish a dialogue between different disciplines is an indispensable practice for a true unders...
This paper studies Vicente Huidobro's dramaturgy through comparative analysis. The theatre plays 'Gi...
In their mature drama Lope de Vega and Cervantes each produced characters of some sophistication. In...
The aim of this paper is to analyze the treatment of agnition and symbolism in one of the most impor...
As três peças que designamos por Barcas foram sequencialmente representadas, entre 1516 ou 1517 (Aut...
The present article considers aspects of the dramatic genre, illustrating the arguments adduced with...
This essay is an attempt to consider Cervantes¿s theater using the presuppositions of poetics and li...
This analysis, written in Spanish, compares the use of violence in four of Castro's dramas with its ...
“Communities of Playmaking: Guill�n de Castro in the Development of the Comedia” examines the develo...
This study makes no claim for a direct influence of Lope de Vega on Diego Velázquez, especially in t...
José Julián López de Castro es un escritor madrileño del siglo XVIII que, pese a tener una obra l...
En este artículo se exploran las conexiones intelectuales, hasta ahora desapercibidas, entre el teat...
This work, The theatre of Ramón del Valle-Inclán, studies the dramatic literature of an author who c...
José Julián López de Castro is an 18th century writer born in Madrid who, despite of having a signif...
During the sixteenth century, the Spanish theater began to indicate the tendencies that the drama wa...
To establish a dialogue between different disciplines is an indispensable practice for a true unders...
This paper studies Vicente Huidobro's dramaturgy through comparative analysis. The theatre plays 'Gi...
In their mature drama Lope de Vega and Cervantes each produced characters of some sophistication. In...
The aim of this paper is to analyze the treatment of agnition and symbolism in one of the most impor...
As três peças que designamos por Barcas foram sequencialmente representadas, entre 1516 ou 1517 (Aut...
The present article considers aspects of the dramatic genre, illustrating the arguments adduced with...
This essay is an attempt to consider Cervantes¿s theater using the presuppositions of poetics and li...