Add to ORKGI am a collage artist working with multiple mediums such as paint, photography, video, audio, and performance. As a New Orleans’ native, I have a unique history that is unflattering, for my history echoes that of America’s historical misdeeds. I make sociopolitical art because I am of a historically oppressed people. I make art that celebrates my diverse culture that is a collage of Native American, African, and New Orleans’ French Creole
Images of Haiti have circulated in the social imagination of the United States through painting, scu...
This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist ...
As a scholar-artist, I work with conceptual photography as a means to create awareness of social and...
I am a collage artist working with multiple mediums such as paint, photography, video, audio, and pe...
The work reflects on my experiences as a first-generation American and the role that race, class, an...
How students are taught to think about what is considered art and who are artists contributes to...
This paper explores how the methodology of collage refuses notions of linear temporality through the...
Culture has always had a substantial influence on how art is perceived and executed. Artists have, m...
As our world ramps up the speed of its connections, our identities merge with increasing speed and a...
My work concerns the divergent narratives created by fusing varied, often conflicting, textures, col...
Perpetuating African ancestral customs, Mardi Gras Indians in New Orleans avoid the African American...
Some of the most horrific chapters in human history have involved an ethnic dimension, notably the c...
THE NEW NEGRO HAS NO FEAR, is the title of my thesis for my Master of Fine Arts candidacy. This body...
Through his political activism and his artwork, Douglas dramatically changed the way other artists v...
In this thesis paper, I argue that the works in the exhibition \u27Chronicle & Character\u27 aim to ...
Images of Haiti have circulated in the social imagination of the United States through painting, scu...
This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist ...
As a scholar-artist, I work with conceptual photography as a means to create awareness of social and...
I am a collage artist working with multiple mediums such as paint, photography, video, audio, and pe...
The work reflects on my experiences as a first-generation American and the role that race, class, an...
How students are taught to think about what is considered art and who are artists contributes to...
This paper explores how the methodology of collage refuses notions of linear temporality through the...
Culture has always had a substantial influence on how art is perceived and executed. Artists have, m...
As our world ramps up the speed of its connections, our identities merge with increasing speed and a...
My work concerns the divergent narratives created by fusing varied, often conflicting, textures, col...
Perpetuating African ancestral customs, Mardi Gras Indians in New Orleans avoid the African American...
Some of the most horrific chapters in human history have involved an ethnic dimension, notably the c...
THE NEW NEGRO HAS NO FEAR, is the title of my thesis for my Master of Fine Arts candidacy. This body...
Through his political activism and his artwork, Douglas dramatically changed the way other artists v...
In this thesis paper, I argue that the works in the exhibition \u27Chronicle & Character\u27 aim to ...
Images of Haiti have circulated in the social imagination of the United States through painting, scu...
This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist ...
As a scholar-artist, I work with conceptual photography as a means to create awareness of social and...