Sound measurements with just a few banjo bridges of matching weights and designs but different wood species, using rather simple apparatus and protocols, support two widely held notions: 1) Different wood does sound different but 2) not very different. In this respect, bamboo and mahogany did not perform radically differently, nor did walnut versus spruce. The observed small differences were sufficiently complicated as functions of frequency that no account in terms of simple physics seems likely
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
Musical taste and authenticity aside, owners of 100+ year-old banjos are admonished not to use steel...
Among instruments that do not sport explicit sympathetic strings, banjos produce particularly strong...
Sound measurements with just a few banjo bridges of matching weights and designs but different wood ...
Basic physics offers some clues about why a given banjo bridge’s sound depends strongly on its tinie...
Adding extra weight to the bridge of a banjo (or violin) is a common strategy for muting the sound. ...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
A previous paper [Woodhouse et al., Acta Acustica 5, 15 (2021) https://doi.org/10.1051/aacus/2021009...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
11" D mylar heads over a normal range of tensions (DrumDial 85 to 91) and “open-back” backed pots of...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes...
International audienceAmong the biological diversity of forest resources, the choices of wood that h...
Wood stiffness varies enormously both within and between trees, so it is inevitable that low-grade s...
An experimental investigation of an American five-string banjo is reported. The acoustic spectra of ...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
Musical taste and authenticity aside, owners of 100+ year-old banjos are admonished not to use steel...
Among instruments that do not sport explicit sympathetic strings, banjos produce particularly strong...
Sound measurements with just a few banjo bridges of matching weights and designs but different wood ...
Basic physics offers some clues about why a given banjo bridge’s sound depends strongly on its tinie...
Adding extra weight to the bridge of a banjo (or violin) is a common strategy for muting the sound. ...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
A previous paper [Woodhouse et al., Acta Acustica 5, 15 (2021) https://doi.org/10.1051/aacus/2021009...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
11" D mylar heads over a normal range of tensions (DrumDial 85 to 91) and “open-back” backed pots of...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes...
International audienceAmong the biological diversity of forest resources, the choices of wood that h...
Wood stiffness varies enormously both within and between trees, so it is inevitable that low-grade s...
An experimental investigation of an American five-string banjo is reported. The acoustic spectra of ...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
Musical taste and authenticity aside, owners of 100+ year-old banjos are admonished not to use steel...
Among instruments that do not sport explicit sympathetic strings, banjos produce particularly strong...