Today, it requires an act of imagination to appreciate the integral role that Oklads Once played in the meaning of medieval icons such as Rublev\u27 s Trinity. To visualize what the majority of early Russian icons must have looked like with their covers intact, we must turn to the private devotional icon of the 18th and 19th centuries, a source that is only now attracting the notice of scholars and collectors
This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the cl...
This article focuses on the work of Rublev who is considered to be the greatest medieval Russian Ort...
God in an Icon? In the first part of the article, I raise the subject of the Old Testament prohibit...
Today, it requires an act of imagination to appreciate the integral role that Oklads Once played in ...
Between 1890 and his death in 1898, the Moscow art collector Pavel Tretiakov acquired sixty-two icon...
Changing hands one last time, in the 1950s, for many years the icons at BJU lived as it were incogni...
The article presents the results of the work on studying Moscow icon painting from the end of the l...
From Tempera to Ink to Code traces the remediation of Orthodox icons. It examines icons’ unexplored,...
The aim of the article is to analyze the correlation between different meaningful layers of the Russ...
The veneration of icons in the Orthodox church is an integral part of the Russian liturgical traditi...
The article concerns some stylistic features of the 17th сentury icon of the “Holy Trinity” from the...
Throughout Russian Orthodox history the icon has been an important part of the visual and emotional ...
The article invites to look afresh at the late 16th century Novgorod icon‘The Vision of the Sexton T...
An Icon from the Orthodox Church in Tatаurоvо (Eastern Siberia) In the Orthodox church in Tataurovo...
This thesis focuses on the activity of the St Petersburg icon painting workshop owned by the Peshekh...
This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the cl...
This article focuses on the work of Rublev who is considered to be the greatest medieval Russian Ort...
God in an Icon? In the first part of the article, I raise the subject of the Old Testament prohibit...
Today, it requires an act of imagination to appreciate the integral role that Oklads Once played in ...
Between 1890 and his death in 1898, the Moscow art collector Pavel Tretiakov acquired sixty-two icon...
Changing hands one last time, in the 1950s, for many years the icons at BJU lived as it were incogni...
The article presents the results of the work on studying Moscow icon painting from the end of the l...
From Tempera to Ink to Code traces the remediation of Orthodox icons. It examines icons’ unexplored,...
The aim of the article is to analyze the correlation between different meaningful layers of the Russ...
The veneration of icons in the Orthodox church is an integral part of the Russian liturgical traditi...
The article concerns some stylistic features of the 17th сentury icon of the “Holy Trinity” from the...
Throughout Russian Orthodox history the icon has been an important part of the visual and emotional ...
The article invites to look afresh at the late 16th century Novgorod icon‘The Vision of the Sexton T...
An Icon from the Orthodox Church in Tatаurоvо (Eastern Siberia) In the Orthodox church in Tataurovo...
This thesis focuses on the activity of the St Petersburg icon painting workshop owned by the Peshekh...
This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the cl...
This article focuses on the work of Rublev who is considered to be the greatest medieval Russian Ort...
God in an Icon? In the first part of the article, I raise the subject of the Old Testament prohibit...