Add to ORKGSurrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake City compels artistic sublimation of the monumental landscape that surrounds this place and dwarfs its residents
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
Justin Walsh reviews Beyond Planet Earth: The Future of Space Exploration, American Museum of Natura...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
Justin Walsh reviews Beyond Planet Earth: The Future of Space Exploration, American Museum of Natura...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
Justin Walsh reviews Beyond Planet Earth: The Future of Space Exploration, American Museum of Natura...