Justin Walsh reviews Beyond Planet Earth: The Future of Space Exploration, American Museum of Natural History, New York, NY, 19 Nov 2011-12 Aug 2012
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Justin Walsh reviews Bradley A. Ault\u27s The Excavations at Ancient Halieis Volume 2: The Houses. T...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The museum store concepts goes much further back in history than you might imagine
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
Summer group shows tend to function a bit like curatorial Muzak for the art world. Drama of the Gift...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
Irene Tsatsos talks about her interpretation of T. Antonakis Ruben Kane\u27s Untitled photograph of...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Justin Walsh reviews Bradley A. Ault\u27s The Excavations at Ancient Halieis Volume 2: The Houses. T...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The museum store concepts goes much further back in history than you might imagine
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
Summer group shows tend to function a bit like curatorial Muzak for the art world. Drama of the Gift...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
Irene Tsatsos talks about her interpretation of T. Antonakis Ruben Kane\u27s Untitled photograph of...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...