Add to ORKGDesigned for actors, singers, directors and teachers, this introduction to working with archetypes will creatively engage your voice, body and imagination — providing you with powerful tools for strong and truthful theatrical choices
Actor training in a conservatoire context is a rigorous, immersive and challenging course of study i...
Ever since the Renaissance, representations of female characters in musical drama have been cast to ...
Exploring transformative praxis through expressive action for young performers, by bridging the gap ...
Examine vocal and physical performance choices in singing through imaginative journeys guided by arc...
Vocal Traditions is a series in the Voice and Speech Review that highlights historically important v...
Designed for actors, singers, directors and teachers, this introduction to working with archetypes w...
The purpose of the article is to identify the main integrative principles in the mastering of speech...
Voice and speech training for the actor has traditionally defined itself as distinct from the vocal ...
Composing for Voice: Exploring Voice, Language and Music, Second Edition, elucidates how language an...
The performer in musical theatre will be required to sing eight performances weekly. For this to be...
This study argues that voice is a communicative tool used in people’s daily life, and it can also be...
In the first edition of Acting, Kurt Daw paired cognitive research on the dynamic of the actor\u27s ...
It is vital to increase the body of work where the female character acts as protagonist, rather than...
In the world of Musical Theatre performance, auditioning is the first way for anyone to get a foot i...
“How to become a versatile vocalist and well-rounded performer” presents the layout for handbook in ...
Actor training in a conservatoire context is a rigorous, immersive and challenging course of study i...
Ever since the Renaissance, representations of female characters in musical drama have been cast to ...
Exploring transformative praxis through expressive action for young performers, by bridging the gap ...
Examine vocal and physical performance choices in singing through imaginative journeys guided by arc...
Vocal Traditions is a series in the Voice and Speech Review that highlights historically important v...
Designed for actors, singers, directors and teachers, this introduction to working with archetypes w...
The purpose of the article is to identify the main integrative principles in the mastering of speech...
Voice and speech training for the actor has traditionally defined itself as distinct from the vocal ...
Composing for Voice: Exploring Voice, Language and Music, Second Edition, elucidates how language an...
The performer in musical theatre will be required to sing eight performances weekly. For this to be...
This study argues that voice is a communicative tool used in people’s daily life, and it can also be...
In the first edition of Acting, Kurt Daw paired cognitive research on the dynamic of the actor\u27s ...
It is vital to increase the body of work where the female character acts as protagonist, rather than...
In the world of Musical Theatre performance, auditioning is the first way for anyone to get a foot i...
“How to become a versatile vocalist and well-rounded performer” presents the layout for handbook in ...
Actor training in a conservatoire context is a rigorous, immersive and challenging course of study i...
Ever since the Renaissance, representations of female characters in musical drama have been cast to ...
Exploring transformative praxis through expressive action for young performers, by bridging the gap ...