Iconotropy is a Greek word which literally means “image turning.” William J. Hamblin (2007) defines the term as “the accidental or deliberate misinterpretation by one culture of the images or myths of another one, especially so as to bring them into accord with those of the first culture.” In fact, iconotropy is commonly the result of the way cultures have dealt with images from foreign or earlier cultures. Numerous accounts from classical antiquity and the Middle Ages detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. Pagan cultures for example deliberately misrepresented ancient ritual icons and incorporated new meanings to the mythical substratum, thus modifying the myth’s origi...
The article deals with transformations, "creative translations" and iconoclastic uses of a...
This special issue of META: Middle East, Topics and Arguments, engages with the methodology of icono...
This article aims at an integration of the topic of iconographic transformation processes into a wid...
Why is the urge to lose the iconic image relevant to reformation and modernism? A question so centra...
This article concerns the issue exploring myth in the context of the iconic turn. Iconic turn, oppos...
Iconoclasm has existed around the world for thousands of years. This chapter traces the etymology an...
This document contains a thorough definition of the concept "image crisis: iconoclasm (724-843)" fro...
Assaults against images occur in all cultures. In analysing the various forms of aggression against ...
Masters Research - Master of Philosophy (MPhil)This research sought to explain how sculptural forms,...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsru...
The object of the study is the culturogenesis of the historical turns, which the author defines as t...
For the understanding and interpretation of the religions of times past, the imagery of those cultur...
Byzantine iconoclasts (image breakers) were not always a homogenized group, but we now use the term ...
Byzantine society of the eighth and ninth centuries experienced a vigorous and often violent dispute...
The article deals with transformations, "creative translations" and iconoclastic uses of a...
This special issue of META: Middle East, Topics and Arguments, engages with the methodology of icono...
This article aims at an integration of the topic of iconographic transformation processes into a wid...
Why is the urge to lose the iconic image relevant to reformation and modernism? A question so centra...
This article concerns the issue exploring myth in the context of the iconic turn. Iconic turn, oppos...
Iconoclasm has existed around the world for thousands of years. This chapter traces the etymology an...
This document contains a thorough definition of the concept "image crisis: iconoclasm (724-843)" fro...
Assaults against images occur in all cultures. In analysing the various forms of aggression against ...
Masters Research - Master of Philosophy (MPhil)This research sought to explain how sculptural forms,...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsru...
The object of the study is the culturogenesis of the historical turns, which the author defines as t...
For the understanding and interpretation of the religions of times past, the imagery of those cultur...
Byzantine iconoclasts (image breakers) were not always a homogenized group, but we now use the term ...
Byzantine society of the eighth and ninth centuries experienced a vigorous and often violent dispute...
The article deals with transformations, "creative translations" and iconoclastic uses of a...
This special issue of META: Middle East, Topics and Arguments, engages with the methodology of icono...
This article aims at an integration of the topic of iconographic transformation processes into a wid...