This document contains a thorough definition of the concept "image crisis: iconoclasm (724-843)" from a philosophy point of view. Crise de l'image : la période iconoclaste (724-843) article oikonomia 2. Pendant près d'un siècle l'empire byzantin fut secoué par un conflit théologico-politique dont l'enjeu fut la légitimité de l'image et son appropriation monopolistique. L'empereur iconoclaste, Léon III, ordonne par décret (724) la destruction de toutes les images religieuses et leur substitue les figurations impériales ainsi que les décors de l'art profane. L'Église se mobilisa dans ce combat où se jouait la fondation de son pouvoir temporel et triompha en 843, lors du " rétablissement solennel ". C'est à l'occasion de cette convulsion hi...
Why is the urge to lose the iconic image relevant to reformation and modernism? A question so centra...
An exhaustive description of the universe – historical and modern methods of describing the co...
International audienceThe article discusses the collections of images in their representations throu...
The study of iconography, an integral part of art history, must develop out of the image itself and ...
This article studies the destructive visual practices of iconoclasm. Destruction is a gesture of ema...
This document contains a thorough definition of the concept "image" from a philosophy point of view....
El siguiente artículo trata acerca de la recepción en el occidente carolingio de la crisis iconoclas...
In the following article we will study the first iconoclast crisis in Byzantium at the end of the 8t...
La controverse iconoclaste est l’un des phénomènes les plus complexes et fascinants de l’histoire by...
Este artículo estudia las prácticas visuales destructivas de la iconoclasia. La destrucción es un ge...
The following paper deals with the reception in the Carolingian west of the Byzantine Iconoclast Cri...
REB 57 1999 France p. 99 Patrick Andrist, Les Objections des Hébreux : un document du premier icono...
The Second Council of Nicaea, in 787 AD, marked the end of iconoclasm, while in 843 the Treaty of Ve...
Iconotropy is a Greek word which literally means “image turning.” William J. Hamblin (2007) defines ...
Byzantine society of the eighth and ninth centuries experienced a vigorous and often violent dispute...
Why is the urge to lose the iconic image relevant to reformation and modernism? A question so centra...
An exhaustive description of the universe – historical and modern methods of describing the co...
International audienceThe article discusses the collections of images in their representations throu...
The study of iconography, an integral part of art history, must develop out of the image itself and ...
This article studies the destructive visual practices of iconoclasm. Destruction is a gesture of ema...
This document contains a thorough definition of the concept "image" from a philosophy point of view....
El siguiente artículo trata acerca de la recepción en el occidente carolingio de la crisis iconoclas...
In the following article we will study the first iconoclast crisis in Byzantium at the end of the 8t...
La controverse iconoclaste est l’un des phénomènes les plus complexes et fascinants de l’histoire by...
Este artículo estudia las prácticas visuales destructivas de la iconoclasia. La destrucción es un ge...
The following paper deals with the reception in the Carolingian west of the Byzantine Iconoclast Cri...
REB 57 1999 France p. 99 Patrick Andrist, Les Objections des Hébreux : un document du premier icono...
The Second Council of Nicaea, in 787 AD, marked the end of iconoclasm, while in 843 the Treaty of Ve...
Iconotropy is a Greek word which literally means “image turning.” William J. Hamblin (2007) defines ...
Byzantine society of the eighth and ninth centuries experienced a vigorous and often violent dispute...
Why is the urge to lose the iconic image relevant to reformation and modernism? A question so centra...
An exhaustive description of the universe – historical and modern methods of describing the co...
International audienceThe article discusses the collections of images in their representations throu...