Endeavouring to conceptualise the digital scholarly edition, we may do well to begin by asking what a scholarly edition is taken to be in terms of orthodox principles. In general outline, a scholarly edition is the presentation of a text — literary, historical, philosophical, juridical — or of a work (mainly, a work of literature) in its often enough several texts, through the agency of an editor in lieu of the author of the text, or work. We see the editor as ‘agency’, functionary and guardi..
Introduction: Why do we need a definition? Humanities research is focused on cultural artefacts such...
Hans Walter Gabler has said: ‘We read texts in their native print medium, that is, in books; but we ...
Within „Defining Scholarly Editions“, I want to open a new section in our blog which offers the oppo...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
Since the advent of digital scholarly editions, there have been many arguments to the effect that di...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
Preliminary remarks This chapter discusses whether it is desirable to establish a protocol that woul...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
This book provides an up-to-date, coherent and comprehensive treatment of digital scholarly editing,...
What if the makers of digital scholarly editions reimagined the edition as an exhibition? There is n...
Paper delivered during the Humanities Postgraduates Conference, held at De Montfort University the 3...
We propose to develop / expand the concept of “digital edition of a text”. The specific value of a d...
Introduction Since the earliest days of hypertext, textual scholars have produced, discussed and the...
Scholarly editing and textual digitisation are typically seen as two distinct, though related, fiel...
Digital scholarly editing is a relatively new field within philology and textual criticism, where se...
Introduction: Why do we need a definition? Humanities research is focused on cultural artefacts such...
Hans Walter Gabler has said: ‘We read texts in their native print medium, that is, in books; but we ...
Within „Defining Scholarly Editions“, I want to open a new section in our blog which offers the oppo...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
Since the advent of digital scholarly editions, there have been many arguments to the effect that di...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
Preliminary remarks This chapter discusses whether it is desirable to establish a protocol that woul...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
This book provides an up-to-date, coherent and comprehensive treatment of digital scholarly editing,...
What if the makers of digital scholarly editions reimagined the edition as an exhibition? There is n...
Paper delivered during the Humanities Postgraduates Conference, held at De Montfort University the 3...
We propose to develop / expand the concept of “digital edition of a text”. The specific value of a d...
Introduction Since the earliest days of hypertext, textual scholars have produced, discussed and the...
Scholarly editing and textual digitisation are typically seen as two distinct, though related, fiel...
Digital scholarly editing is a relatively new field within philology and textual criticism, where se...
Introduction: Why do we need a definition? Humanities research is focused on cultural artefacts such...
Hans Walter Gabler has said: ‘We read texts in their native print medium, that is, in books; but we ...
Within „Defining Scholarly Editions“, I want to open a new section in our blog which offers the oppo...