The essay I want to discuss here was published in the ‘pre-global’ era. I find it telling that Meaghan’s ‘Politics Now: Anxieties of a Petit-Bourgeois Intellectual’, dated 14 July 1985 in its appearance in The Pirate’s Fiancée in 1988, was first published in Intervention in Sydney and shortly afterwards as lead essay in Framework in London: that way people in London would actually be able to read it as well.1 In his introduction, the Framework editor Paul Willemen linked the essay to one of Judith Williamson’s in New Socialist in September 1986, where she had occasion to protest ‘against the prevailing tendency on the British cultural “left” to proclaim the virtues of ideological regime...
Each autumn, in universities from Cardiff to Sydney, young men and women in their late teens or earl...
Brexit and support for anti-establishment insurgencies suggest that British politics is moving away ...
This thesis is about social class in post-2008 writing about Britain. Focusing on the work of severa...
Coinciding with the release of a revised edition of The Limits of Neoliberalism: Authority, Sovereig...
On October 9, 2012, the then Australian Prime Minister Julia Gillard rose to her feet in Canberra’s ...
In late September this year I came across a manuscript which I had not seen for some four decades. I...
Meaghan Morris was celebrated at the Meaghan Morris Festival as a mentor, a cultural theorist, a muc...
I am delighted to be here celebrating the unique career of Meaghan Morris, who is, after all, not ju...
Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn’t like poetry be...
This article addresses the characteristic styles and modes of self-presentation used by such Victori...
This is the final version of the article. Available from Anthony Burke University of Adelaide (Austr...
This article explores the origins of Critical Quarterly, situating it in relation to Leavisite ideas...
Editorial by Chris Healy, Katrina Schlunke, Prudence Black, Stephen Muecke, and Catherine Driscoll
This essay explores the discursive invocation of ‘civil war’ to describe the polarization of the pol...
This essay argues that contemporary Australian literary theory, like most varieties of contemporary ...
Each autumn, in universities from Cardiff to Sydney, young men and women in their late teens or earl...
Brexit and support for anti-establishment insurgencies suggest that British politics is moving away ...
This thesis is about social class in post-2008 writing about Britain. Focusing on the work of severa...
Coinciding with the release of a revised edition of The Limits of Neoliberalism: Authority, Sovereig...
On October 9, 2012, the then Australian Prime Minister Julia Gillard rose to her feet in Canberra’s ...
In late September this year I came across a manuscript which I had not seen for some four decades. I...
Meaghan Morris was celebrated at the Meaghan Morris Festival as a mentor, a cultural theorist, a muc...
I am delighted to be here celebrating the unique career of Meaghan Morris, who is, after all, not ju...
Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn’t like poetry be...
This article addresses the characteristic styles and modes of self-presentation used by such Victori...
This is the final version of the article. Available from Anthony Burke University of Adelaide (Austr...
This article explores the origins of Critical Quarterly, situating it in relation to Leavisite ideas...
Editorial by Chris Healy, Katrina Schlunke, Prudence Black, Stephen Muecke, and Catherine Driscoll
This essay explores the discursive invocation of ‘civil war’ to describe the polarization of the pol...
This essay argues that contemporary Australian literary theory, like most varieties of contemporary ...
Each autumn, in universities from Cardiff to Sydney, young men and women in their late teens or earl...
Brexit and support for anti-establishment insurgencies suggest that British politics is moving away ...
This thesis is about social class in post-2008 writing about Britain. Focusing on the work of severa...