Add to ORKGUsing Helon Habila's Waiting for an Angel, the author argues that third generation Nigerian writers, compared to their post-independence literary forbears, articulate a more refined representation of the artist as a social entity and of writing as a collective process precisely because they do not take the social function of African writers and writings for granted
Didacticism and the Third Generation of African WritersThis article argues that African literature i...
Is the writer\u27s role simply to create art for art\u27s sake or do writers have to utilize their t...
The twenty-first century is observed to pose a number of challenges for theAfrican writer, having sc...
Using Helon Habila's Waiting for an Angel, the author argues that third generation Nigerian writers,...
This essay attempts a critical reading of Helon Habila’s two novels- Waiting for an Angel and Measur...
In all parts of the world, writers play very prominent and significant role inthe social re-educatio...
While Nigeria and South Africa are commonly perceived as the two powerhouses of African fiction,[1] ...
Writers in Africa have a social responsibility to the peoples of their countries. Often they are ver...
Nigerian literature has evolved over the past fifty years and no longer looks like it used to when f...
Black writing has become something of a cohesive project: a response to the common experience of rac...
Still insisting on the essentialist and peculiar nature of African Literature, most older critics ar...
Critics have argued that the African literary artist [traditional or modern] carries out some kind o...
Critics have argued that the African literary artist [traditional or modern] carries out some kind o...
This article argues that African literature is a didactic literature. It points out that even though...
The body of writing collectively referred to as third generation or contemporary Nigerian literature...
Didacticism and the Third Generation of African WritersThis article argues that African literature i...
Is the writer\u27s role simply to create art for art\u27s sake or do writers have to utilize their t...
The twenty-first century is observed to pose a number of challenges for theAfrican writer, having sc...
Using Helon Habila's Waiting for an Angel, the author argues that third generation Nigerian writers,...
This essay attempts a critical reading of Helon Habila’s two novels- Waiting for an Angel and Measur...
In all parts of the world, writers play very prominent and significant role inthe social re-educatio...
While Nigeria and South Africa are commonly perceived as the two powerhouses of African fiction,[1] ...
Writers in Africa have a social responsibility to the peoples of their countries. Often they are ver...
Nigerian literature has evolved over the past fifty years and no longer looks like it used to when f...
Black writing has become something of a cohesive project: a response to the common experience of rac...
Still insisting on the essentialist and peculiar nature of African Literature, most older critics ar...
Critics have argued that the African literary artist [traditional or modern] carries out some kind o...
Critics have argued that the African literary artist [traditional or modern] carries out some kind o...
This article argues that African literature is a didactic literature. It points out that even though...
The body of writing collectively referred to as third generation or contemporary Nigerian literature...
Didacticism and the Third Generation of African WritersThis article argues that African literature i...
Is the writer\u27s role simply to create art for art\u27s sake or do writers have to utilize their t...
The twenty-first century is observed to pose a number of challenges for theAfrican writer, having sc...