textSince 1994, Chicana/o artists, musicians, and activists have been in dialogue with the Zapatista indigenous movement of Chiapas, Mexico. Such a transnational bridge has resonated in a new and unique form of Chicana/o cultural politics centered on the Zapatista concept of “autonomy” and “autonomous organizing.” In Los Angeles, California, this brand of “Chicana/o urban Zapatismo,” as I refer to it in the dissertation, is symbolic of recent political and cultural organizing efforts by Chicanos to combat housing gentrification, economic restructuring, racial and ethnic cleansing, environmental pollution in low-income areas, and mass anti-immigrant hysteria. This dissertation contends that Chicana/o urban Zapatismo is a result of various...