The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press Editors (Bologna 2017) that published it along with the translation written by Sonia Antinori and the afterword by Gerardo Guccini. In a brief anthology of observations, at the end of the book you can find the comments by Giorgio Degasperi (A post-epic theatre), Marco De Marinis (Post-dramatic theatre – overcoming of the representation and the staging), Lorenzo Mango (Crisis of signs and drama of vision), Antonio Attisani (An actually neo-Aristotelian and neo-dramatic overview), Cristina Valenti (Crisis of the dramatic personalization and crisis of the individual as agent of the social conflict), Marco Martinelli (The future of theatre will be...
Current playwriting is performed with awareness that its product, the text, will be performed on sta...
Il saggio esamina la fortuna di Lehmann in Italia ricostruendo gli episodi e le iniziative culturali...
This contribution describes and reevaluates the Occupied Theatre Movements in Italy (2010-2017) from...
The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press E...
L'ultimo scorcio del XX secolo ha segnato un radicale cambiamento nelle modalità di creazione teatra...
The article analyses the transformations of the genre of drama in the context of the postdramatic th...
Article refers to Hans-Thies Lehmann ideas of understanding the drama shown in his book Postdramatic...
Piuttosto che parlare di un teatro post-drammatico, come fa Lehmann, forse \ue8 preferibile parlare ...
This text takes stock of the twelve years of emergence of the practice and term Postdramatic and som...
There’s something deeply transforming the theater. Hans-Thies Lehmann had the merit of nominate this...
The article is devoted to the understanding of the phenomenon of modern theatre, defined by the Germ...
This international video conference, conducted as part of the project "Postdramatik" organised by th...
Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thie...
Han transcurrido diez años desde la publicación en 1999 del Postdramatisches Theater de Hans-Thies L...
There’s something deeply transforming the theater. Hans-Thies Lehmann had the merit of nominate this...
Current playwriting is performed with awareness that its product, the text, will be performed on sta...
Il saggio esamina la fortuna di Lehmann in Italia ricostruendo gli episodi e le iniziative culturali...
This contribution describes and reevaluates the Occupied Theatre Movements in Italy (2010-2017) from...
The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press E...
L'ultimo scorcio del XX secolo ha segnato un radicale cambiamento nelle modalità di creazione teatra...
The article analyses the transformations of the genre of drama in the context of the postdramatic th...
Article refers to Hans-Thies Lehmann ideas of understanding the drama shown in his book Postdramatic...
Piuttosto che parlare di un teatro post-drammatico, come fa Lehmann, forse \ue8 preferibile parlare ...
This text takes stock of the twelve years of emergence of the practice and term Postdramatic and som...
There’s something deeply transforming the theater. Hans-Thies Lehmann had the merit of nominate this...
The article is devoted to the understanding of the phenomenon of modern theatre, defined by the Germ...
This international video conference, conducted as part of the project "Postdramatik" organised by th...
Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thie...
Han transcurrido diez años desde la publicación en 1999 del Postdramatisches Theater de Hans-Thies L...
There’s something deeply transforming the theater. Hans-Thies Lehmann had the merit of nominate this...
Current playwriting is performed with awareness that its product, the text, will be performed on sta...
Il saggio esamina la fortuna di Lehmann in Italia ricostruendo gli episodi e le iniziative culturali...
This contribution describes and reevaluates the Occupied Theatre Movements in Italy (2010-2017) from...