This new issue of CROLAR – Critical Reviews on Latin American Research- is dedicated to music in Latin America, its "Sound and Dissonance." From salsa in the Caribbean carnaval in Brazil, or to tango in Argentina, to mention a few examples, music has always been inherent to what it means to be "Latin American," sometimes creating stereotypes that can be very hard to overcome. But what does music really mean to Latin America? How can music express a national identity and at the same time connect us to other realities? These are some of the initial questions when putting together this issue, and the submitted reviews help us further the debate
When I was in school – and that was, obviously, a long time ago – the word Latin, whether as a noun ...
It is not difficult to see the enormous clout of aesthetic production associated with the “popular”,...
European art music was brought into the Euro-baptized American continent by the Spaniards and Portug...
Music is something that is constantly changing along with its listeners. What is unique about music ...
[Abstract] This analysis focus on the connection between Hispanic Caribbean music and iden...
What do we in the United States know about Latin American art music and how do we know it? For sever...
This dissertation is a theoretical treatment of the history of Latin American music in the twentieth...
Cet article examine les rapports entre les discours nationaux et les débats sur la culture, particul...
Despite the prevalent use of Latin American musical styles in American musical theatre, little resea...
This volume III contains two blogs on Hispanic/Latin American culture and identity but goes beyond a...
In 2008, the 51st International Festival of Contemporary Music ‘Warsaw Autumn featured music by Span...
The current Latin Music Craze in United States mass media demands critical analysis from the LatCr...
This reflection article considers some of the particularities that occur in culture and especially i...
Music education and institutionalized Christianity have been criticized by historians and ethnomusic...
Latin American art and music have transfigured localized forms of aesthetic expression. Contemporary...
When I was in school – and that was, obviously, a long time ago – the word Latin, whether as a noun ...
It is not difficult to see the enormous clout of aesthetic production associated with the “popular”,...
European art music was brought into the Euro-baptized American continent by the Spaniards and Portug...
Music is something that is constantly changing along with its listeners. What is unique about music ...
[Abstract] This analysis focus on the connection between Hispanic Caribbean music and iden...
What do we in the United States know about Latin American art music and how do we know it? For sever...
This dissertation is a theoretical treatment of the history of Latin American music in the twentieth...
Cet article examine les rapports entre les discours nationaux et les débats sur la culture, particul...
Despite the prevalent use of Latin American musical styles in American musical theatre, little resea...
This volume III contains two blogs on Hispanic/Latin American culture and identity but goes beyond a...
In 2008, the 51st International Festival of Contemporary Music ‘Warsaw Autumn featured music by Span...
The current Latin Music Craze in United States mass media demands critical analysis from the LatCr...
This reflection article considers some of the particularities that occur in culture and especially i...
Music education and institutionalized Christianity have been criticized by historians and ethnomusic...
Latin American art and music have transfigured localized forms of aesthetic expression. Contemporary...
When I was in school – and that was, obviously, a long time ago – the word Latin, whether as a noun ...
It is not difficult to see the enormous clout of aesthetic production associated with the “popular”,...
European art music was brought into the Euro-baptized American continent by the Spaniards and Portug...