European art music was brought into the Euro-baptized American continent by the Spaniards and Portuguese as an art discipline that supported the conversion to Catholicism, and, in general, its colonization. Nevertheless, Latin American composers—using agency, creativity and the process of transculturation—appropriated and transformed this music tradition to produce their innovative and hybrid art music works according to their culture and history. The article examines a selection of composer Ricardo Lorenz (Venezuela, 1961) musical works, philosophy, and artistic persona. In order to understand how and why postcolonial/modern theories opened up new paths for Lorenz’ musical works, this article introduces Ricardo Lorenz as composer and cultu...
The American musical scene, since 1950, has been complex and varied, and the musical developments in...
From 1925 to 1932, music by Manuel M. Ponce, Julián Carrillo, and Carlos Chávez was performed in New...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
This article discusses the direction taken by some Latin American composers in light of the new tend...
Yamilla Tate, MUS 303: Music History 2 Faculty Mentor: Professor Carolyn Guzski, Music The world of...
There has been only limited research into the musics of Latin America as a whole, and the amount of ...
This dissertation is a theoretical treatment of the history of Latin American music in the twentieth...
ABSTRACT: The diverse perspectives of contemporary composers of art music who were born in Latin Ame...
This dissertation explores the choices involved in being a composer in Latin America during the last...
After spending the last year and a half immersing myself in this project, I realize there are severa...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
The purpose of this study was to identify pieces by Twentieth-Century Latin-American composers suita...
In this dissertation I argue that the Centro Latinoamericano de Altos Estudios Musicales (CLAEM, 196...
During the twentieth century, music festivals and organizations became places for composers to const...
What do we in the United States know about Latin American art music and how do we know it? For sever...
The American musical scene, since 1950, has been complex and varied, and the musical developments in...
From 1925 to 1932, music by Manuel M. Ponce, Julián Carrillo, and Carlos Chávez was performed in New...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
This article discusses the direction taken by some Latin American composers in light of the new tend...
Yamilla Tate, MUS 303: Music History 2 Faculty Mentor: Professor Carolyn Guzski, Music The world of...
There has been only limited research into the musics of Latin America as a whole, and the amount of ...
This dissertation is a theoretical treatment of the history of Latin American music in the twentieth...
ABSTRACT: The diverse perspectives of contemporary composers of art music who were born in Latin Ame...
This dissertation explores the choices involved in being a composer in Latin America during the last...
After spending the last year and a half immersing myself in this project, I realize there are severa...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...
The purpose of this study was to identify pieces by Twentieth-Century Latin-American composers suita...
In this dissertation I argue that the Centro Latinoamericano de Altos Estudios Musicales (CLAEM, 196...
During the twentieth century, music festivals and organizations became places for composers to const...
What do we in the United States know about Latin American art music and how do we know it? For sever...
The American musical scene, since 1950, has been complex and varied, and the musical developments in...
From 1925 to 1932, music by Manuel M. Ponce, Julián Carrillo, and Carlos Chávez was performed in New...
This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nin...