Add to ORKGThe artists and the theorists have always been fascinated by and driven to discover the relationship between arts, like painting and literature. What may come out as a surpise for those who love books, as for those who admire painting, is the illustrated theory of literature by Roger Caillois, whose background is not in literature or in painting, but in sociology. His work entitled "Au coeur du fantastique" published by Gallimard in 1965 and illustrated with famous paintings as well as less known ones has brought together literary criticism and painting by focusing on the theory of the genre of fantastique in literature and in painting, pointing at the similarities rather than differences. However from the 18th century, literature has beeen...
Les classiques conçoivent le champ artistique pluriel comme un dense réseau de correspondances, en y...
In his art criticism, Baudelaire sometimes used a pictorial characteristic that determines an awkwar...
In the context of the most recent experiments involving art-literature relations, three texts which ...
One can not question the fact that a motif of a letter occupies a very significant position in the ...
It’s a question of one of peculiarities of art : the painting.It’s a question, following a personal ...
It’s a question of one of peculiarities of art : the painting.It’s a question, following a personal ...
Interrogés à propos de leur lecture et de leurs usages des textes informatifs écrits sur les cimais...
Since the Ancient World, artists are used to represent themselves in their works and this kind of re...
The question of the place of the writer, the poet, the artist, the reader, the spectator is essentia...
Si l’on peut définir, de la manière la plus générale, une oeuvre d’art comme ‘expression d’un imagin...
Particularly motivated by the denial of science, the rejection that presides over fin-de-siècle sens...
Particularly motivated by the denial of science, the rejection that presides over fin-de-siècle sens...
Particularly motivated by the denial of science, the rejection that presides over fin-de-siècle sens...
The traditional fantastic literature of the nineteenth century is a genre par excellence codificate...
Les classiques conçoivent le champ artistique pluriel comme un dense réseau de correspondances, en y...
Les classiques conçoivent le champ artistique pluriel comme un dense réseau de correspondances, en y...
In his art criticism, Baudelaire sometimes used a pictorial characteristic that determines an awkwar...
In the context of the most recent experiments involving art-literature relations, three texts which ...
One can not question the fact that a motif of a letter occupies a very significant position in the ...
It’s a question of one of peculiarities of art : the painting.It’s a question, following a personal ...
It’s a question of one of peculiarities of art : the painting.It’s a question, following a personal ...
Interrogés à propos de leur lecture et de leurs usages des textes informatifs écrits sur les cimais...
Since the Ancient World, artists are used to represent themselves in their works and this kind of re...
The question of the place of the writer, the poet, the artist, the reader, the spectator is essentia...
Si l’on peut définir, de la manière la plus générale, une oeuvre d’art comme ‘expression d’un imagin...
Particularly motivated by the denial of science, the rejection that presides over fin-de-siècle sens...
Particularly motivated by the denial of science, the rejection that presides over fin-de-siècle sens...
Particularly motivated by the denial of science, the rejection that presides over fin-de-siècle sens...
The traditional fantastic literature of the nineteenth century is a genre par excellence codificate...
Les classiques conçoivent le champ artistique pluriel comme un dense réseau de correspondances, en y...
Les classiques conçoivent le champ artistique pluriel comme un dense réseau de correspondances, en y...
In his art criticism, Baudelaire sometimes used a pictorial characteristic that determines an awkwar...
In the context of the most recent experiments involving art-literature relations, three texts which ...