In the Undercroft to Queen Anne's Court at the Old Royal Naval College lies a collection of stone heads from the turn of the 18th century. The mysterious heads, depicting Neptune and other denizens of the deep, were carved by Robert Jones of Stepney in the early 1700s, and were originally intended for display upon the south elevation of the Painted Hall. A decision to use brick instead of stone meant the heads were abandoned, and for 300 years have languished out of sight. 'About the Heads' is an exhibition at the University of Greenwich Heritage Gallery to rescue them from obscurity, coinciding with the re-opening of the hall after a major restoration. The heads themselves are not on display; instead, three artists from separate discip...
This investigation into the origin of a collection of nineteenth century lanternslides revealed evid...
This year’s exhibition was co-ordinated by Eileen Cooper (Keeper of the Royal Academy), who set out ...
The origins of William Hunter’s town house at 16 Great Windmill Street, Westminster, began with a pe...
In the Undercroft to Queen Anne's Court at the Old Royal Naval College lies a collection of stone he...
Changes in custodial context, in designation and in display alter the meaning of objects. This artic...
In the twenty-first century Hampton Court Palace is widely recognised as one of the UK's top histori...
From paint to point cloud Between 1750 and 1755 Antonio Canal, known as Canaletto, painted three vi...
Post prints of a one day conference held on Thursday 14th June 2007 at The Oakdale Institute, St Fag...
Catalogue published to accompany the exhibition of the same name held at Nottingham Trent University...
Royal Museums Greenwich and the Society for Court Studies are pleased to announce a major internatio...
‘Ages of Wonder: Scotland’s Art from 1540 until Today’ is a curatorial and editorial research projec...
The series Faces and Places from English History is a set of thirty lithographic/digital fine prints...
Captivate: Spatial Modelling Research Group – Is building a digital model of the entire Maritime Gre...
"Exhibition of Royal Portraits of Great Britain and Ireland from Richard II. to Edward VII."--Cover....
Documenting a decade of gallery activity at the University of Greenwich, ‘10-4’ takes the form of an...
This investigation into the origin of a collection of nineteenth century lanternslides revealed evid...
This year’s exhibition was co-ordinated by Eileen Cooper (Keeper of the Royal Academy), who set out ...
The origins of William Hunter’s town house at 16 Great Windmill Street, Westminster, began with a pe...
In the Undercroft to Queen Anne's Court at the Old Royal Naval College lies a collection of stone he...
Changes in custodial context, in designation and in display alter the meaning of objects. This artic...
In the twenty-first century Hampton Court Palace is widely recognised as one of the UK's top histori...
From paint to point cloud Between 1750 and 1755 Antonio Canal, known as Canaletto, painted three vi...
Post prints of a one day conference held on Thursday 14th June 2007 at The Oakdale Institute, St Fag...
Catalogue published to accompany the exhibition of the same name held at Nottingham Trent University...
Royal Museums Greenwich and the Society for Court Studies are pleased to announce a major internatio...
‘Ages of Wonder: Scotland’s Art from 1540 until Today’ is a curatorial and editorial research projec...
The series Faces and Places from English History is a set of thirty lithographic/digital fine prints...
Captivate: Spatial Modelling Research Group – Is building a digital model of the entire Maritime Gre...
"Exhibition of Royal Portraits of Great Britain and Ireland from Richard II. to Edward VII."--Cover....
Documenting a decade of gallery activity at the University of Greenwich, ‘10-4’ takes the form of an...
This investigation into the origin of a collection of nineteenth century lanternslides revealed evid...
This year’s exhibition was co-ordinated by Eileen Cooper (Keeper of the Royal Academy), who set out ...
The origins of William Hunter’s town house at 16 Great Windmill Street, Westminster, began with a pe...