Revised version of a paper presented at the Research Summer School of the International Centre for Women, Ageing and Media, University of Gloucestershire, 23-24 July 2013. The paper attempts some self reflection on my own experience as a mature model. I discuss my journey as a model dwelling on the sense of unease I have at times experienced. Modelling as an older woman can be at once liberating and oppressive and full of pitfalls. By embodying the ‘ageing gracefully’ imperative, there is also a sense of being pressurised to maintain that very ‘gracefulness of ageing’ that as a model becomes one’s selling point as well as the need to be distinctive, and identifiable with, in order to be in work. In the paper I draw theoretically on a ra...
Most reviewers decree Tim Burton's Alice in Wonderland ‘disappointinger and disappointinger’, both a...
I didn’t pick this script. This script picked me. And it courted me for a very long time. And I resi...
Ken Lum’s recent survey at the Vancouver Art Gallery is reviewed by Jamie Hilder, who traces a disti...
Revised version of a paper presented at the Research Summer School of the International Centre for W...
FLOW operates on two levels, firstly as an engaging live performance environment and secondly as a v...
The figurines of Tureng Tepe are a remarkable collection of terracotta anthropomorphs that are uniqu...
The Caveless Mountains: A Recovery Narrative explores the effect trauma has on a victim with family,...
This essay accompanied Desire Path, the final exhibition of work by Andrew Vass at ARTHOUSE1 Gallery...
The author sets out to construct a historical approach to thinking about resilience that is grounded...
This paper was presented at the Contemporary Women’s Writing in French seminar on ‘Women’s Ageing in...
“Epistemic Dexterity: A Ramseyian Account of Epistemic Virtue” by Abrol Fairweather & Carlos Montema...
Abstract: How can academic programs prepare students to make the transition from education to work p...
It has been recently debated whether there exists a so-called “easy road” to nominalism. In this ess...
Abstract: In recent years there has been an increase in the quantity, if not necessarily the quality...
Written for Dramatic Lit, taught by Dr. David Crespy, Fall 2015 semester.The first place prize for t...
Most reviewers decree Tim Burton's Alice in Wonderland ‘disappointinger and disappointinger’, both a...
I didn’t pick this script. This script picked me. And it courted me for a very long time. And I resi...
Ken Lum’s recent survey at the Vancouver Art Gallery is reviewed by Jamie Hilder, who traces a disti...
Revised version of a paper presented at the Research Summer School of the International Centre for W...
FLOW operates on two levels, firstly as an engaging live performance environment and secondly as a v...
The figurines of Tureng Tepe are a remarkable collection of terracotta anthropomorphs that are uniqu...
The Caveless Mountains: A Recovery Narrative explores the effect trauma has on a victim with family,...
This essay accompanied Desire Path, the final exhibition of work by Andrew Vass at ARTHOUSE1 Gallery...
The author sets out to construct a historical approach to thinking about resilience that is grounded...
This paper was presented at the Contemporary Women’s Writing in French seminar on ‘Women’s Ageing in...
“Epistemic Dexterity: A Ramseyian Account of Epistemic Virtue” by Abrol Fairweather & Carlos Montema...
Abstract: How can academic programs prepare students to make the transition from education to work p...
It has been recently debated whether there exists a so-called “easy road” to nominalism. In this ess...
Abstract: In recent years there has been an increase in the quantity, if not necessarily the quality...
Written for Dramatic Lit, taught by Dr. David Crespy, Fall 2015 semester.The first place prize for t...
Most reviewers decree Tim Burton's Alice in Wonderland ‘disappointinger and disappointinger’, both a...
I didn’t pick this script. This script picked me. And it courted me for a very long time. And I resi...
Ken Lum’s recent survey at the Vancouver Art Gallery is reviewed by Jamie Hilder, who traces a disti...