In speech entrainment research, a less investigated yet crucial aspect for modelling multimodal interactive dialogue systems is the influence of inter-action modality, i.e. whether conversational partners who are visible to each other would entrain their speech more with respect to when eye contact is inhibited, or not. In our study, we compared prosodic adaptation behaviour (convergence and synchrony) of the same speaker pairs involved in collaborative game sessions under two conditions: audiovisual vs audio-only interaction. Results provide a complex picture, with a tendency to vocal entrainment enhancement when the speech/audio channel is the only one available
Talkers modify their speech production in noisy environments partly as a reflex but also as an inten...
Entrainment (sometimes called adaptation or alignment) is the tendency of human speak-ers to adapt t...
Speakers alter the way they produce speech according to the communicative situation. Changes are mad...
In speech entrainment research, a less investigated yet crucial aspect for modelling multimodal inte...
How do talkers maintain intelligibility when speaking in the presence of a background conversation? ...
International audienceHow do talkers maintain intelligibility when speaking in the presence of a bac...
Today, people are just as likely to have a business meeting remotely as they are face-to-face. Indiv...
In a large number of studies, it has been observed that conversational partners tend to adapt each o...
In a large number of studies, it has been observed that conversational partners tend to adapt each o...
This study uses a maze navigation task in conjunction with a quasi-scripted, prosodically controlled...
During conversation, interlocutors coordinate their behavior on many levels. Two distinct forms of b...
During face-to-face communication, recipients need to rapidly integrate a plethora of auditory and v...
In conversation, speakers become more like each other in various dimensions. This phenomenon, common...
In spoken dialogue analysis, the speech signal is a rich source of information. We explore in this p...
This study investigated whether the production of prosodic focus and phrasing contrasts was modified...
Talkers modify their speech production in noisy environments partly as a reflex but also as an inten...
Entrainment (sometimes called adaptation or alignment) is the tendency of human speak-ers to adapt t...
Speakers alter the way they produce speech according to the communicative situation. Changes are mad...
In speech entrainment research, a less investigated yet crucial aspect for modelling multimodal inte...
How do talkers maintain intelligibility when speaking in the presence of a background conversation? ...
International audienceHow do talkers maintain intelligibility when speaking in the presence of a bac...
Today, people are just as likely to have a business meeting remotely as they are face-to-face. Indiv...
In a large number of studies, it has been observed that conversational partners tend to adapt each o...
In a large number of studies, it has been observed that conversational partners tend to adapt each o...
This study uses a maze navigation task in conjunction with a quasi-scripted, prosodically controlled...
During conversation, interlocutors coordinate their behavior on many levels. Two distinct forms of b...
During face-to-face communication, recipients need to rapidly integrate a plethora of auditory and v...
In conversation, speakers become more like each other in various dimensions. This phenomenon, common...
In spoken dialogue analysis, the speech signal is a rich source of information. We explore in this p...
This study investigated whether the production of prosodic focus and phrasing contrasts was modified...
Talkers modify their speech production in noisy environments partly as a reflex but also as an inten...
Entrainment (sometimes called adaptation or alignment) is the tendency of human speak-ers to adapt t...
Speakers alter the way they produce speech according to the communicative situation. Changes are mad...