We introduce two descriptive models for evaluating creative software; the FACE model, which describes creative acts performed by software in terms of tuples of generative acts, and the IDEA model, which describes how such creative acts can have an impact upon an audience. We show how these models have been inspired both by ideas in the psychology of creativity and by an analysis of acts of human creativity.</p
Can a computer be creative? And what can we learn about our own creativity from studying computation...
What is creativity? Generally, artefacts are labelled as creative if they are both novel and appropr...
This paper proposes a broader framework for understanding creativity by distinguishing different lev...
We introduce two descriptive models for evaluating creative software; the FACE model, which describe...
We introduce two descriptive models for evaluating creative software; the FACE model, which describe...
We introduce computational creativity theory (CCT) as an analogue in computational creativity resear...
We introduce computational creativity theory (CCT) as an analogue in computational creativity resear...
Computers can be used as a key research tool because they allow us to do things that have been diffi...
Creativity is a compelling but heterogeneous phenomenon. As opposed to big-C creativity, which is re...
How can computers be used to model creativity? We address this issue in this article by starting wit...
This paper begins by briefly looking at two of the dominant perspectives on computational creativit...
Computational creativity is a newly emerging field within AI that focuses on the capacity of machine...
This paper begins by briefly looking at two of the dominant perspectives on computational creativit...
Can a computer be creative? And what can we learn about our own creativity from studying computation...
This paper begins by briefly looking at two of the dom-inant perspectives on computational creativit...
Can a computer be creative? And what can we learn about our own creativity from studying computation...
What is creativity? Generally, artefacts are labelled as creative if they are both novel and appropr...
This paper proposes a broader framework for understanding creativity by distinguishing different lev...
We introduce two descriptive models for evaluating creative software; the FACE model, which describe...
We introduce two descriptive models for evaluating creative software; the FACE model, which describe...
We introduce computational creativity theory (CCT) as an analogue in computational creativity resear...
We introduce computational creativity theory (CCT) as an analogue in computational creativity resear...
Computers can be used as a key research tool because they allow us to do things that have been diffi...
Creativity is a compelling but heterogeneous phenomenon. As opposed to big-C creativity, which is re...
How can computers be used to model creativity? We address this issue in this article by starting wit...
This paper begins by briefly looking at two of the dominant perspectives on computational creativit...
Computational creativity is a newly emerging field within AI that focuses on the capacity of machine...
This paper begins by briefly looking at two of the dominant perspectives on computational creativit...
Can a computer be creative? And what can we learn about our own creativity from studying computation...
This paper begins by briefly looking at two of the dom-inant perspectives on computational creativit...
Can a computer be creative? And what can we learn about our own creativity from studying computation...
What is creativity? Generally, artefacts are labelled as creative if they are both novel and appropr...
This paper proposes a broader framework for understanding creativity by distinguishing different lev...