In the twenties the playwright and stage director Marco Praga became a dramatic critic on the \u201cIllustrazione italiana\u201d. In his incisive production an interesting section is devoted to Tatiana Pavlova, a Russian actress who started performing in Italy in 1923, and gradually introduced a new concept of acting and show.Referring to reviews and pictures, this article investigates two different points of view about theatre, the relationship between text and stage, performance and further components of the show
The present article investigates the training of female stage practitioners and their versatility in...
A discussion of methodological problems in theatrical studies, concerning especially the relations b...
none1noDaniele Albanese, Fagarazzi& Zuffellato, Fanny&Alexander e Teatro Sotterraneo: quattro esempi...
In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illus...
The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular...
Starting from a wider panorama of the Russian theatrical scene, my study focuses on New Drama, Thea...
This article discusses the book by Franco Perrelli Tre carteggi con Lucio Ridenti (Pagina, 2018), wh...
The article reviews the reasons of the Fosse’s just partial success on italian scene. The poor ackno...
Il saggio affronta l'analisi dello scritto di Corrado Alvaro su "La Pavlova e Medea", pubblicato nel...
The main argument of this essay is one of the most striking episodes among the theatrical researches...
The article examines Alessandro Solbiati's second theatrical work, Leggenda, which takes inspiration...
Born into an acting family, she began her career in companies in Tuscany. She gained her first leadi...
Like a two-faced Janus, Siro Ferrone carried out both research on theatre and theatre criticism, com...
The first and fundamental experience as a theatre spectator usually happens during high school perio...
The article proposes a study of the Italian theater in the new millennium through the revaluation of...
The present article investigates the training of female stage practitioners and their versatility in...
A discussion of methodological problems in theatrical studies, concerning especially the relations b...
none1noDaniele Albanese, Fagarazzi& Zuffellato, Fanny&Alexander e Teatro Sotterraneo: quattro esempi...
In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illus...
The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular...
Starting from a wider panorama of the Russian theatrical scene, my study focuses on New Drama, Thea...
This article discusses the book by Franco Perrelli Tre carteggi con Lucio Ridenti (Pagina, 2018), wh...
The article reviews the reasons of the Fosse’s just partial success on italian scene. The poor ackno...
Il saggio affronta l'analisi dello scritto di Corrado Alvaro su "La Pavlova e Medea", pubblicato nel...
The main argument of this essay is one of the most striking episodes among the theatrical researches...
The article examines Alessandro Solbiati's second theatrical work, Leggenda, which takes inspiration...
Born into an acting family, she began her career in companies in Tuscany. She gained her first leadi...
Like a two-faced Janus, Siro Ferrone carried out both research on theatre and theatre criticism, com...
The first and fundamental experience as a theatre spectator usually happens during high school perio...
The article proposes a study of the Italian theater in the new millennium through the revaluation of...
The present article investigates the training of female stage practitioners and their versatility in...
A discussion of methodological problems in theatrical studies, concerning especially the relations b...
none1noDaniele Albanese, Fagarazzi& Zuffellato, Fanny&Alexander e Teatro Sotterraneo: quattro esempi...