Born into an acting family, she began her career in companies in Tuscany. She gained her first leading actress role in 1811 in the troupe run by her mother, Elisabetta, and by Antonio Belloni, Carlo Calamari and Ferdinando Meraviglia. In 1823 she became the leading actress of the Compagnia Reale Sarda (The Royal Sardinian Company). It is her ability to harmonise her craft, her business sense and the new theories on acting which creates the quality that leads her to achieve a prime position in the history of Italian theatre
In this article, through the figure of Carlotta Marchionni, the author recon-structs the incidents t...
Sofia Fuoco is an Italian dancer trained by Carlo Blasis at the Teatro alla Scala. She becomes a cel...
The section is devoted to the biographical profiles of Francesco Saverio Bartoli (1745-1806), Antoni...
<p>Born into an acting family, she began her career in companies in Tuscany. She gained her first le...
The section is dedicated to the profiles of three important actresses active in the first half of th...
‘Amorosa’, then leading actress, the most appreciated and sought after actress of the 1830s. She had...
Preamble and stimulus to more systematic investigations, the paper proposes an initial review of the...
The present article investigates the training of female stage practitioners and their versatility in...
The presence of the female characters is the main feature of the professional theatre during the 16t...
An atypical actor of the 19th century theatre world, Luigi Rasi retired from the stage early to assu...
From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was gr...
Trained in the great family of Edoardo Ferravilla’s Milanese dialect companies, in early twentieth c...
Il saggio ricostruisce la vicenda artistica di Antonio Colomberti morto a Bologna, a ottantasei anni...
Carlo Cecchi: funambolo della scena italiana (Carlo Cecchi: a funambulist of the Italian stage) cons...
This paper presents the theatrical life of Antonio Colomberti. He was born in Viterbo on February 20...
In this article, through the figure of Carlotta Marchionni, the author recon-structs the incidents t...
Sofia Fuoco is an Italian dancer trained by Carlo Blasis at the Teatro alla Scala. She becomes a cel...
The section is devoted to the biographical profiles of Francesco Saverio Bartoli (1745-1806), Antoni...
<p>Born into an acting family, she began her career in companies in Tuscany. She gained her first le...
The section is dedicated to the profiles of three important actresses active in the first half of th...
‘Amorosa’, then leading actress, the most appreciated and sought after actress of the 1830s. She had...
Preamble and stimulus to more systematic investigations, the paper proposes an initial review of the...
The present article investigates the training of female stage practitioners and their versatility in...
The presence of the female characters is the main feature of the professional theatre during the 16t...
An atypical actor of the 19th century theatre world, Luigi Rasi retired from the stage early to assu...
From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was gr...
Trained in the great family of Edoardo Ferravilla’s Milanese dialect companies, in early twentieth c...
Il saggio ricostruisce la vicenda artistica di Antonio Colomberti morto a Bologna, a ottantasei anni...
Carlo Cecchi: funambolo della scena italiana (Carlo Cecchi: a funambulist of the Italian stage) cons...
This paper presents the theatrical life of Antonio Colomberti. He was born in Viterbo on February 20...
In this article, through the figure of Carlotta Marchionni, the author recon-structs the incidents t...
Sofia Fuoco is an Italian dancer trained by Carlo Blasis at the Teatro alla Scala. She becomes a cel...
The section is devoted to the biographical profiles of Francesco Saverio Bartoli (1745-1806), Antoni...