The title-piece of Thomas McCarthy's fourth collection is a collection of epigrams strung along the experiences of a stranger in Paris. Ciarain Carson's Belfast Confetti continues and expands the possibilities of that recovered speech found in The Irish for No (1987), using a similar prosody of long lines to assemble an image of Belfast.The Rain makers by Francis Harvey is supplemented by eight poems reprinted from his late first collection, In the Light on the Stones, published twelve years ago.Another quiet voice is that of Eilean Ni Chuilleanain, whose sixth book, The Magdalene Sermon. Her poems are momentary, frequently offering a glimpse of another life rather than a rounded insight.In Poems With Amergin Paddy Bushe lays particular cla...
Combined book reviews of the following three books :<br/> "Seamus Heaney: creating Irelan...
The Troubles in Ballybogoin (a pseudonym) is predominantly a study of identity among nationalists in...
A couple of years ago, an English reviewer of one of the anthologies of Irish poetry which seemed to...
The title-piece of Thomas McCarthy's fourth collection is a collection of epigrams strung along the ...
Anyone who enjoyed Patrick Deeley's assured first collection, Intimate Strangers, will find here mor...
Poets writing in Irish still find it difficult to avoid giving the impression that collectively they...
Frank Sewell's book offers an informed and discursive introduction to four twentieth-century poets w...
Both these collections are constructed around ideas of place and space. Seatown is Conor O'Callaghan...
Reviews: ‘Derval Tubridy’s Thomas Kinsella: The Peppercanister Poems is only the fourth book to exam...
Of Medbh McGuckian's work so far, I would suggest that On Ballycastle Beach and the preceeding colle...
In his Allegory of Love ([Oxford, 1936], p. 349), C. S. Lewis wrote that Ireland had corrupted Spens...
Re/Dressing Cathleen: Contemporary Works from Irish Women Artists documents an exhibition of the wor...
A review of poetic responses by Scottish poets to the war poetry of Giuseppe Ungaretti
Combined book reviews of the following three books :<br/> "Seamus Heaney: creating Irelan...
The Troubles in Ballybogoin (a pseudonym) is predominantly a study of identity among nationalists in...
A couple of years ago, an English reviewer of one of the anthologies of Irish poetry which seemed to...
The title-piece of Thomas McCarthy's fourth collection is a collection of epigrams strung along the ...
Anyone who enjoyed Patrick Deeley's assured first collection, Intimate Strangers, will find here mor...
Poets writing in Irish still find it difficult to avoid giving the impression that collectively they...
Frank Sewell's book offers an informed and discursive introduction to four twentieth-century poets w...
Both these collections are constructed around ideas of place and space. Seatown is Conor O'Callaghan...
Reviews: ‘Derval Tubridy’s Thomas Kinsella: The Peppercanister Poems is only the fourth book to exam...
Of Medbh McGuckian's work so far, I would suggest that On Ballycastle Beach and the preceeding colle...
In his Allegory of Love ([Oxford, 1936], p. 349), C. S. Lewis wrote that Ireland had corrupted Spens...
Re/Dressing Cathleen: Contemporary Works from Irish Women Artists documents an exhibition of the wor...
A review of poetic responses by Scottish poets to the war poetry of Giuseppe Ungaretti
Combined book reviews of the following three books :<br/> "Seamus Heaney: creating Irelan...
The Troubles in Ballybogoin (a pseudonym) is predominantly a study of identity among nationalists in...
A couple of years ago, an English reviewer of one of the anthologies of Irish poetry which seemed to...