Re/Dressing Cathleen: Contemporary Works from Irish Women Artists documents an exhibition of the work of 13 contemporary Irish women artists at the McMuIlen Museum of Art, Boston College, USA,in October-December 1997. It presents a series of essays by critics and theorists mainly from Boston College (with Irish writing by Medb Ruane of Ireland's Sunday Tribune and Angela Bourke of University College, Dublin), and interviews with selected artists. Since the exhibition was developed with reference to the 150th anniversary of the worst year of the Irish Famine of the 1840s, a compilation is appended of 'American letters' sent by Irish emigrants to America at that time. The publication contains 44 colour and black/white images of the art work e...
In 1860, the Irish nationalist writer John Mitchell avowed that ‘The Almighty, indeed, sent the pota...
This article review: Yvonne Galligan, Eilís Ward and Rick Wilford (eds). Contesting Politics: Women ...
The title-piece of Thomas McCarthy's fourth collection is a collection of epigrams strung along the ...
Re/Dressing Cathleen: Contemporary Works from Irish Women Artists documents an exhibition of the wor...
Catalog and critical essays, issued in conjunction with the exhibition Re/dressing Cathleen : contem...
Review of Outsiders Inside: Whiteness, Place and Irish Women (Gender, Racism, Ethnicity) by Bronwen ...
A review of Janice Helland's British and Irish Home Arts and Industries 1800 - 1914: Marketing Craft...
Childhood and Migration in Europe. Portraits of Mobility, Identity and Belonging in Contemporary Ire...
Review of The Picture Postcard: A New Window into Edwardian Ireland , by Ann Wilson (Oxford: Peter L...
The recent commemoration of the great Irish Famine of 1845-1851 has yielded an array of publications...
The annual Irish Texts Society seminar has hitherto yielded many valuable reassessments on previous ...
Review of "Where Motley is Worn: Transnational Irish Literatures" (eds. Amanda Tucker and Moira E. C...
In July 1963, An Taoiseach, Seán Lemass appeared on the cover of Time Magazine with the title, Irel...
In a book about drama and Irish spectacle, one would naturally assume that the reactions to Synge\u2...
In 1860, the Irish nationalist writer John Mitchell avowed that ‘The Almighty, indeed, sent the pota...
This article review: Yvonne Galligan, Eilís Ward and Rick Wilford (eds). Contesting Politics: Women ...
The title-piece of Thomas McCarthy's fourth collection is a collection of epigrams strung along the ...
Re/Dressing Cathleen: Contemporary Works from Irish Women Artists documents an exhibition of the wor...
Catalog and critical essays, issued in conjunction with the exhibition Re/dressing Cathleen : contem...
Review of Outsiders Inside: Whiteness, Place and Irish Women (Gender, Racism, Ethnicity) by Bronwen ...
A review of Janice Helland's British and Irish Home Arts and Industries 1800 - 1914: Marketing Craft...
Childhood and Migration in Europe. Portraits of Mobility, Identity and Belonging in Contemporary Ire...
Review of The Picture Postcard: A New Window into Edwardian Ireland , by Ann Wilson (Oxford: Peter L...
The recent commemoration of the great Irish Famine of 1845-1851 has yielded an array of publications...
The annual Irish Texts Society seminar has hitherto yielded many valuable reassessments on previous ...
Review of "Where Motley is Worn: Transnational Irish Literatures" (eds. Amanda Tucker and Moira E. C...
In July 1963, An Taoiseach, Seán Lemass appeared on the cover of Time Magazine with the title, Irel...
In a book about drama and Irish spectacle, one would naturally assume that the reactions to Synge\u2...
In 1860, the Irish nationalist writer John Mitchell avowed that ‘The Almighty, indeed, sent the pota...
This article review: Yvonne Galligan, Eilís Ward and Rick Wilford (eds). Contesting Politics: Women ...
The title-piece of Thomas McCarthy's fourth collection is a collection of epigrams strung along the ...