Women dressed as men first appeared in the Madrid corrales in 1587. Because of its obvious erotic appeal, the practice was banned in the theater regulations promulgated in 1608 and 1615, but playwrights and actors found ways to get around the prohibitions. Cervantes made very little use of the technique, and this can be interpreted as a criticism of Lope de Vega and other contemporary playwrights
Lope de Vega’s <em>corpus</em> of plays is one of the most studied of Spanish Baroque theater, altho...
This is a study of the feminist content of the dramas of Jacinto Benavente (1866-1954) whose dramati...
La mujer juega un papel importante en la comedia española del siglo XVII. Los personajes femeninos c...
La prueba was first published in 1617, when Lope included it as the first play of the first collecti...
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renais...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted ...
If we rethink our traditional readings of the comedia as a conformist genre, we discover that gender...
After a brief exposition regarding the situation, Calderón's recourse to travestism appears as the s...
The purpose of this study is to investigate the image of woman as presented on the stage during the ...
The history of women in the Spanish theatre from the early twentieth century to today not only refle...
Some considerations on feminine protagonism in the plays of Lope de Vega, with particular attention ...
This article examines the presence of the unclothed body in the comedia nueva, both when it appears ...
All rights remain with the author.As an example of how newly reformulated, gender-inclusive Comedia ...
One of the major differences between the otherwise very similar commercial theatrical cultures of ea...
Lope de Vega’s <em>corpus</em> of plays is one of the most studied of Spanish Baroque theater, altho...
This is a study of the feminist content of the dramas of Jacinto Benavente (1866-1954) whose dramati...
La mujer juega un papel importante en la comedia española del siglo XVII. Los personajes femeninos c...
La prueba was first published in 1617, when Lope included it as the first play of the first collecti...
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renais...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted ...
If we rethink our traditional readings of the comedia as a conformist genre, we discover that gender...
After a brief exposition regarding the situation, Calderón's recourse to travestism appears as the s...
The purpose of this study is to investigate the image of woman as presented on the stage during the ...
The history of women in the Spanish theatre from the early twentieth century to today not only refle...
Some considerations on feminine protagonism in the plays of Lope de Vega, with particular attention ...
This article examines the presence of the unclothed body in the comedia nueva, both when it appears ...
All rights remain with the author.As an example of how newly reformulated, gender-inclusive Comedia ...
One of the major differences between the otherwise very similar commercial theatrical cultures of ea...
Lope de Vega’s <em>corpus</em> of plays is one of the most studied of Spanish Baroque theater, altho...
This is a study of the feminist content of the dramas of Jacinto Benavente (1866-1954) whose dramati...
La mujer juega un papel importante en la comedia española del siglo XVII. Los personajes femeninos c...