Add to ORKGIn this essay, I wish to examine the relation between body, movement and costume in Chinese martial arts film. I propose to see fight choreography as dance, and I rush to say that this is a totally unoriginal claim on my part; practically any book or commentary on the martial arts genre will use the word dance, either literally or evocatively. There are good reasons for this, as I will discuss below
Fighting without Fighting explores the history and ongoing cultural significance of the "kung fu cra...
The traditional martial arts genre known as wuxia (literally "martial chivalry") became po...
By drawing on critical literature on Ang Lee's swordplay (wu xia) film Crouching Tiger, Hidden ...
This paper reads the emergence of ‘Oriental style’ in Hollywood (Park 2010) as an exemplary case of ...
RESEARCH QUESTIONS - To what degree can Hong Kong martial arts cinema be understood to contain withi...
This study is oriented to do Chinese cultural discourse analysis via examining two Chinese Wu-Xia (m...
The Hong Luck Kung Fu Club has been a fixture of Toronto’s Chinatown for over fifty years. Its curri...
The essays published here were developed from papers given at the Hong Kong connections : transnatio...
This dissertation is an investigation of the percussion used to accompany Chinese martial arts and l...
Thesis (M.A., Communication Studies)--California State University, Sacramento, 2012.This thesis empl...
The meaning of the notion of martial arts is very extensive. It concerns many phenomena at the plane...
Martial arts have been a theme of Chinese cinema going back to the 1920s. However the late 1960s and...
This article argues that Donnie Yen’s Ip Man series (2008-2015) synthesizes two predominant unarmed,...
This essay examines the aesthetics of wirework in Hong Kong and Chinese swordplay (wuxia) cinema, pr...
UnrestrictedThis dissertation examines the so-called "Asian invasion, " the representation of Asian...
Fighting without Fighting explores the history and ongoing cultural significance of the "kung fu cra...
The traditional martial arts genre known as wuxia (literally "martial chivalry") became po...
By drawing on critical literature on Ang Lee's swordplay (wu xia) film Crouching Tiger, Hidden ...
This paper reads the emergence of ‘Oriental style’ in Hollywood (Park 2010) as an exemplary case of ...
RESEARCH QUESTIONS - To what degree can Hong Kong martial arts cinema be understood to contain withi...
This study is oriented to do Chinese cultural discourse analysis via examining two Chinese Wu-Xia (m...
The Hong Luck Kung Fu Club has been a fixture of Toronto’s Chinatown for over fifty years. Its curri...
The essays published here were developed from papers given at the Hong Kong connections : transnatio...
This dissertation is an investigation of the percussion used to accompany Chinese martial arts and l...
Thesis (M.A., Communication Studies)--California State University, Sacramento, 2012.This thesis empl...
The meaning of the notion of martial arts is very extensive. It concerns many phenomena at the plane...
Martial arts have been a theme of Chinese cinema going back to the 1920s. However the late 1960s and...
This article argues that Donnie Yen’s Ip Man series (2008-2015) synthesizes two predominant unarmed,...
This essay examines the aesthetics of wirework in Hong Kong and Chinese swordplay (wuxia) cinema, pr...
UnrestrictedThis dissertation examines the so-called "Asian invasion, " the representation of Asian...
Fighting without Fighting explores the history and ongoing cultural significance of the "kung fu cra...
The traditional martial arts genre known as wuxia (literally "martial chivalry") became po...
By drawing on critical literature on Ang Lee's swordplay (wu xia) film Crouching Tiger, Hidden ...