Add to ORKGThe essays published here were developed from papers given at the Hong Kong connections : transnational imagination in action cinema conference, organised by the Department of Cultural Studies and the Kwan Fong Cultural Research and Development Programme at Lingnan University, Hong Kong, January 6-9 2003"--acknowledgments. Formerly CIP. Includes bibliographical references and index
By drawing on critical literature on Ang Lee's swordplay (wu xia) film Crouching Tiger, Hidden ...
Ever since 2000s, the mainland Chinese film industry is becoming increasingly globalised, implementi...
This chapter examines the possible politics around co-productions, and the challenges it poses on th...
In this essay, I wish to examine the relation between body, movement and costume in Chinese martial ...
Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genre...
The traditional martial arts genre known as wuxia (literally "martial chivalry") became po...
In analyzing the production and reception of the wuxia movie in Hong Kong during the 1960s and 1970s...
Taking co-production as a dominant development of Hong Kong's film industry, this study examines the...
The trajectory of Hong Kong films had been drastically affected long before the city’s official sove...
This collection of original essays on transnational Chinese cinema examines the corporal, psychologi...
Hybridization has become part of an ongoing trend in cultural production, with both the globalizatio...
Taking action cinema as an example, this paper outlines a historical approach to the transnational s...
The naming of Hong Kong cinema became detached from the city of Hong Kong in the mid-2000s when its ...
The essay targets the concept of yingxi and its translation, shadowplay, in prevailing histories o...
This essay examines the aesthetics of wirework in Hong Kong and Chinese swordplay (wuxia) cinema, pr...
By drawing on critical literature on Ang Lee's swordplay (wu xia) film Crouching Tiger, Hidden ...
Ever since 2000s, the mainland Chinese film industry is becoming increasingly globalised, implementi...
This chapter examines the possible politics around co-productions, and the challenges it poses on th...
In this essay, I wish to examine the relation between body, movement and costume in Chinese martial ...
Since the 1960s, Hong Kong cinema has helped to shape one of the world’s most popular cultural genre...
The traditional martial arts genre known as wuxia (literally "martial chivalry") became po...
In analyzing the production and reception of the wuxia movie in Hong Kong during the 1960s and 1970s...
Taking co-production as a dominant development of Hong Kong's film industry, this study examines the...
The trajectory of Hong Kong films had been drastically affected long before the city’s official sove...
This collection of original essays on transnational Chinese cinema examines the corporal, psychologi...
Hybridization has become part of an ongoing trend in cultural production, with both the globalizatio...
Taking action cinema as an example, this paper outlines a historical approach to the transnational s...
The naming of Hong Kong cinema became detached from the city of Hong Kong in the mid-2000s when its ...
The essay targets the concept of yingxi and its translation, shadowplay, in prevailing histories o...
This essay examines the aesthetics of wirework in Hong Kong and Chinese swordplay (wuxia) cinema, pr...
By drawing on critical literature on Ang Lee's swordplay (wu xia) film Crouching Tiger, Hidden ...
Ever since 2000s, the mainland Chinese film industry is becoming increasingly globalised, implementi...
This chapter examines the possible politics around co-productions, and the challenges it poses on th...