A frieze-format photographic print captured at the London student fees protests in November 2010. Using a photographic camera in the manner of a film camera, Hamann captured the dynamics of demonstrators moving through Whitehall producing semi-abstract images that retain the character of the moment. For the duration of the exposure the celluloid moves past the lens in the hand-held camera, mirroring the movement of the crowd. This process abstracts and compresses the action revealing both chaos and order, yet details are enough to fix the image as a record of the real event. The photograph was featured as part of the Uncontainable: Broken Stillness exhibition that incorporate either custom written software or hacked packages to draw at...
Aims and Scope: This special issue is concerned with how and why certain visual images picturing pro...
As consumers and producers of contemporary visual culture, we are in an era of high-resolution photo...
Control has many facets: It comprises surveillance by others or surveillance by oneself. And yet it ...
Film-strip, 20.10.2018, Film-strip, 23.06.2018 and Film-strip, 9.09.2017 are from a series of film-s...
What is to be done with moving images of/after political events? Can we speak of critical moving ima...
'The Moment We Knew Nothing of Each Other' is a permanent installation of a large scale photographic...
Multiple commissioned by the Multiple Store diorama: [Greek dia= through + horama =view] a scene ...
For the London Art Book Fair at the Whitechapel Gallery 2014, the new printmaking project took cinem...
This paper will explore the relationship between still and moving images in a project consisting of ...
Photographic work from Billingham's series 'Rays a Laugh' was exhibited in 'In the Blink of an Eye: ...
A series of panoramic film-strips of gallery visitors and two designs for film-strip installations f...
This article discusses an experiment in combining personal archival digital images, including those ...
Paper delivered at the International Communication Association Annual Conference 2013, LondonIn rece...
The paper considers the role of photography in the era of the moving image, in particular how still ...
This exhibition in the Reid Building at Glasgow School of Art features recent work made by staff at ...
Aims and Scope: This special issue is concerned with how and why certain visual images picturing pro...
As consumers and producers of contemporary visual culture, we are in an era of high-resolution photo...
Control has many facets: It comprises surveillance by others or surveillance by oneself. And yet it ...
Film-strip, 20.10.2018, Film-strip, 23.06.2018 and Film-strip, 9.09.2017 are from a series of film-s...
What is to be done with moving images of/after political events? Can we speak of critical moving ima...
'The Moment We Knew Nothing of Each Other' is a permanent installation of a large scale photographic...
Multiple commissioned by the Multiple Store diorama: [Greek dia= through + horama =view] a scene ...
For the London Art Book Fair at the Whitechapel Gallery 2014, the new printmaking project took cinem...
This paper will explore the relationship between still and moving images in a project consisting of ...
Photographic work from Billingham's series 'Rays a Laugh' was exhibited in 'In the Blink of an Eye: ...
A series of panoramic film-strips of gallery visitors and two designs for film-strip installations f...
This article discusses an experiment in combining personal archival digital images, including those ...
Paper delivered at the International Communication Association Annual Conference 2013, LondonIn rece...
The paper considers the role of photography in the era of the moving image, in particular how still ...
This exhibition in the Reid Building at Glasgow School of Art features recent work made by staff at ...
Aims and Scope: This special issue is concerned with how and why certain visual images picturing pro...
As consumers and producers of contemporary visual culture, we are in an era of high-resolution photo...
Control has many facets: It comprises surveillance by others or surveillance by oneself. And yet it ...