The UK television industry has increasingly integrated multiple screen technologies into multiplatform ‘digital estates’. Such ‘digital estates’ also emerge in domestic contexts. The complex, but mundane and ephemeral nature of these domestic ‘digital estates’, requires new methodologies for understanding how they operate within the daily lives of audiences. This article uses an innovative, technologically enabled observation methodology to explore how domestic ‘digital estates’ are managed. Dominant throughout our sample is the use of multiple screen technologies to create deliberately passive and ephemeral experiences, highlighting the need to recognise and interrogate the place of ‘passivity’ within televisual and digital screen experien...
Making use of material from the BBC Archives, this article focuses on the dilemmas, problems and pos...
Ethnographic methods have filtered from academia to product development, particularly in the technol...
At a time when digital media is regarded as orthodoxy in education, in advanced global economies the...
The use of captions has grown in recent years in both traditional and new media, particularly in ter...
Developed for the OUR MACHINES exhibition at the Observer Building Hastings, 13 February to 14 March...
Our reliance on internet technologies increased as the COVID-19 pandemic progressed and with it conc...
When the ceaselessly industrious RuPaul Charles eventually decides to write the next volume of his a...
The image is described by Flusser as being a significant surface. He suggests that it is the process...
A survey of Italian mothers who engage in ‘sharenting’ suggests they are motivated by both a desire ...
The rapid evolution of computer graphics, driven by new technologies like virtual reality, is enabli...
The "Landscape and Culture: Expedition Art of the Scottish Hebrides" exhibition depicts the dramatic...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
As the UK Home Office unveils plans to attract the “brightest and best” individuals to the UK, Johnn...
Over the past few decades, much has been written about the ways in which project teams bring technol...
The Troubled Families Programme, launched by the coalition in the aftermath of the 2011 riots, was t...
Making use of material from the BBC Archives, this article focuses on the dilemmas, problems and pos...
Ethnographic methods have filtered from academia to product development, particularly in the technol...
At a time when digital media is regarded as orthodoxy in education, in advanced global economies the...
The use of captions has grown in recent years in both traditional and new media, particularly in ter...
Developed for the OUR MACHINES exhibition at the Observer Building Hastings, 13 February to 14 March...
Our reliance on internet technologies increased as the COVID-19 pandemic progressed and with it conc...
When the ceaselessly industrious RuPaul Charles eventually decides to write the next volume of his a...
The image is described by Flusser as being a significant surface. He suggests that it is the process...
A survey of Italian mothers who engage in ‘sharenting’ suggests they are motivated by both a desire ...
The rapid evolution of computer graphics, driven by new technologies like virtual reality, is enabli...
The "Landscape and Culture: Expedition Art of the Scottish Hebrides" exhibition depicts the dramatic...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
As the UK Home Office unveils plans to attract the “brightest and best” individuals to the UK, Johnn...
Over the past few decades, much has been written about the ways in which project teams bring technol...
The Troubled Families Programme, launched by the coalition in the aftermath of the 2011 riots, was t...
Making use of material from the BBC Archives, this article focuses on the dilemmas, problems and pos...
Ethnographic methods have filtered from academia to product development, particularly in the technol...
At a time when digital media is regarded as orthodoxy in education, in advanced global economies the...