Making use of material from the BBC Archives, this article focuses on the dilemmas, problems and possibilities experienced by practitioners and programmers as musicians appeared on BBC television broadcasts from 1936. This is an edited and slightly revised version of an article that started life as a public lecture at Goldsmiths, University of London (‘Shot From Both Sides: Musicians on Television’, 1 February 2005). It was then developed further and published in the Journal of the Royal Musical Association as ‘Musicians on Television: Visible, Audible and Ignored’ (Vol 131 No 2, 2006). For the original published article follow this link - http://www.tandfonline.com/doi/abs/10.1093/jrma/fkl005 I have edited out what I now consider to be ...
This paper discusses the use of recorded audio testimonies as agents of meaning through electroacous...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Perseverance. That\u27s the word my fraternity brother, who was already in line to vote, loudly and ...
This brief article appeared as the Foreword to a collection of writings about music and sound in Buf...
In his essay “Lightning and Series – Event and Thunder,” originally written around 2003 and publishe...
This paper explores the role of lighting in creating place and the challenges and opportunities intr...
Sarah Leavitt is an artist, cartoonist and writer, and a member of the Creative Writing Department a...
The project 'The Sculptor Speaks' takes its source from a 1961 tape by British sculptor Barbara Hepw...
This article emerges from the author’s work on translating a selection of folktales collected by the...
This is the introduction to a special edition of Popular Music focused on the theme of 'Popular Mus...
A director needs more than inspiration to guide their work. During grad school, I learned, abandoned...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
This is the white paper submitted to the National Endowment for the Humanities“MuSO: Aggregation and...
Within the broad field of musicology and music criticism the author as creative originator and autho...
The UK television industry has increasingly integrated multiple screen technologies into multiplatfo...
This paper discusses the use of recorded audio testimonies as agents of meaning through electroacous...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Perseverance. That\u27s the word my fraternity brother, who was already in line to vote, loudly and ...
This brief article appeared as the Foreword to a collection of writings about music and sound in Buf...
In his essay “Lightning and Series – Event and Thunder,” originally written around 2003 and publishe...
This paper explores the role of lighting in creating place and the challenges and opportunities intr...
Sarah Leavitt is an artist, cartoonist and writer, and a member of the Creative Writing Department a...
The project 'The Sculptor Speaks' takes its source from a 1961 tape by British sculptor Barbara Hepw...
This article emerges from the author’s work on translating a selection of folktales collected by the...
This is the introduction to a special edition of Popular Music focused on the theme of 'Popular Mus...
A director needs more than inspiration to guide their work. During grad school, I learned, abandoned...
This is a chapter of conversations, thoughts, and images that have arisen from within the choreograp...
This is the white paper submitted to the National Endowment for the Humanities“MuSO: Aggregation and...
Within the broad field of musicology and music criticism the author as creative originator and autho...
The UK television industry has increasingly integrated multiple screen technologies into multiplatfo...
This paper discusses the use of recorded audio testimonies as agents of meaning through electroacous...
The output is an artefact comprising an artist’s book. It was developed from a performance, initiall...
Perseverance. That\u27s the word my fraternity brother, who was already in line to vote, loudly and ...