Add to ORKGFor nearly fifty years, the medieval English oral tradition has been one of the most intensely studied of all the world's oral traditions,1 but it has so far proved to be an extremely difficult one both to define and to understand. In addition to the issues that confront everyone who works with long-silent, entexted oral traditions--among which are fundamental questions about how a given culture's verbal art was composed/produced/presented/encoded/received--there are a number of other issues that are specific to the English tradition in the Middle Ages.Not
William of Malmesbury, writing more than four centuries later, tells a tale of the Anglo-Saxon Aldhe...
For the historian of late-medieval and Renaissance literature, oral tradition lies provocatively ath...
The present study consists of nine sections, of which the first four appear in this issue. Section I...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Among the many significant developments in oral tradition studies in recent years has been a growing...
Of the many periods into which scholars habitually divide English literary and social history, the p...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
Since it was first brought into modern critical consciousness by Milman Parry over half a century ag...
William of Malmesbury, writing more than four centuries later, tells a tale of the Anglo-Saxon Aldhe...
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
Very little research has been done in this field, although there is in fact a rich body of evidence ...
'The Orality of a Silent Age: The Place of Orality in Medieval Studies' uses a brief survey of curre...
As someone whose main interest is storytelling in medieval Wales, orality, aurality, and performance...
It is easier, I think, to say what oral tradition can be rather than what it is. I have been working...
William of Malmesbury, writing more than four centuries later, tells a tale of the Anglo-Saxon Aldhe...
For the historian of late-medieval and Renaissance literature, oral tradition lies provocatively ath...
The present study consists of nine sections, of which the first four appear in this issue. Section I...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Among the many significant developments in oral tradition studies in recent years has been a growing...
Of the many periods into which scholars habitually divide English literary and social history, the p...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
Since it was first brought into modern critical consciousness by Milman Parry over half a century ag...
William of Malmesbury, writing more than four centuries later, tells a tale of the Anglo-Saxon Aldhe...
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
Very little research has been done in this field, although there is in fact a rich body of evidence ...
'The Orality of a Silent Age: The Place of Orality in Medieval Studies' uses a brief survey of curre...
As someone whose main interest is storytelling in medieval Wales, orality, aurality, and performance...
It is easier, I think, to say what oral tradition can be rather than what it is. I have been working...
William of Malmesbury, writing more than four centuries later, tells a tale of the Anglo-Saxon Aldhe...
For the historian of late-medieval and Renaissance literature, oral tradition lies provocatively ath...
The present study consists of nine sections, of which the first four appear in this issue. Section I...