Add to ORKGAmong the many significant developments in oral tradition studies in recent years has been a growing awareness that the terms "oral" and "traditional" do not exclude influences of writing. Approaches viewing purely oral and purely literate modes of composition and reception as only the extreme ends of a continuum open up a wider range of works to us that are influenced to varying degrees by oral traditions (see, for example, Bradbury 1998). This broadening of scope allows for meaningful comparisons that transcend conventional boundaries of genre, language, and academic discipline
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
Students of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, ...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Among the many significant developments in oral tradition studies in recent years has been a growing...
It is easier, I think, to say what oral tradition can be rather than what it is. I have been working...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
For the historian of late-medieval and Renaissance literature, oral tradition lies provocatively ath...
Symposium: Rules for Art in Oral TraditionProceedings from the 1988 Modern Language Association sect...
Frame tales, medieval literary works in which characters become narrators by telling stories of thei...
'The Orality of a Silent Age: The Place of Orality in Medieval Studies' uses a brief survey of curre...
'The Orality of a Silent Age: The Place of Orality in Medieval Studies' uses a brief survey of curre...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
Since it was first brought into modern critical consciousness by Milman Parry over half a century ag...
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
Students of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, ...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Among the many significant developments in oral tradition studies in recent years has been a growing...
It is easier, I think, to say what oral tradition can be rather than what it is. I have been working...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
For the historian of late-medieval and Renaissance literature, oral tradition lies provocatively ath...
Symposium: Rules for Art in Oral TraditionProceedings from the 1988 Modern Language Association sect...
Frame tales, medieval literary works in which characters become narrators by telling stories of thei...
'The Orality of a Silent Age: The Place of Orality in Medieval Studies' uses a brief survey of curre...
'The Orality of a Silent Age: The Place of Orality in Medieval Studies' uses a brief survey of curre...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
Since it was first brought into modern critical consciousness by Milman Parry over half a century ag...
"My purpose here is to advocate the use of these new facilities towards the better understanding of ...
Students of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, ...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...