Add to ORKGIt is a well-known fact that the performer of narrative poetry usually tries to reproduce a text he has learned from his predecessors and that he is sometimes able to do so with great accuracy. Two different degrees can, however, be distinguished in the narrator's faithfulness to his text: one relatively strict, the other relatively free. There are, likewise, two types of singer: the traditionalist and the improviser.Issue title; "Epics Along the Silk Roads.
The article focuses on the retelling of Pushkin’s The Tale of Tsar Saltan by an 80-year-old local wo...
In this paper we propose to examine some fundamental issues in comparative oral epic. Our investigat...
The work is notable for its features. Especially when thinking about a plot, it can also be defined ...
It is a well-known fact that the performer of narrative poetry usually tries to reproduce a text he ...
The riddle of memorized epics is a subject of concern for the scholarly community. With an eye to th...
The academic community has long noticed the resemblance between Mongolian and Turkic epics. Some bel...
The following represents a brief account of my experience of working on the volumes of epic monument...
In the March 1993 issue of the bulletin Folklore Fellows Network Lauri Honko raised the question: "W...
Like oral epics from countries around the world, the heroic epic of King Gesar found among Tibetans ...
The idea of launching studies on the epics to be found along the Silk Roads was born in France and F...
The ethnographer Grigorii Potanin (1835--1920) seems to be the first scholar who systematically coll...
This article analyzes the Karakalpak folk epic "Davletyarbek" and positive and negative images in th...
The Mongols have a long tradition of oral literature. About the first half of the nineteenth century...
Mongolian tuuli, or epic poetry, the most important genre in Mongolian literary history, is a vast t...
In my article, I shall deal with the Khanty narratives and song texts published in two volumes (the ...
The article focuses on the retelling of Pushkin’s The Tale of Tsar Saltan by an 80-year-old local wo...
In this paper we propose to examine some fundamental issues in comparative oral epic. Our investigat...
The work is notable for its features. Especially when thinking about a plot, it can also be defined ...
It is a well-known fact that the performer of narrative poetry usually tries to reproduce a text he ...
The riddle of memorized epics is a subject of concern for the scholarly community. With an eye to th...
The academic community has long noticed the resemblance between Mongolian and Turkic epics. Some bel...
The following represents a brief account of my experience of working on the volumes of epic monument...
In the March 1993 issue of the bulletin Folklore Fellows Network Lauri Honko raised the question: "W...
Like oral epics from countries around the world, the heroic epic of King Gesar found among Tibetans ...
The idea of launching studies on the epics to be found along the Silk Roads was born in France and F...
The ethnographer Grigorii Potanin (1835--1920) seems to be the first scholar who systematically coll...
This article analyzes the Karakalpak folk epic "Davletyarbek" and positive and negative images in th...
The Mongols have a long tradition of oral literature. About the first half of the nineteenth century...
Mongolian tuuli, or epic poetry, the most important genre in Mongolian literary history, is a vast t...
In my article, I shall deal with the Khanty narratives and song texts published in two volumes (the ...
The article focuses on the retelling of Pushkin’s The Tale of Tsar Saltan by an 80-year-old local wo...
In this paper we propose to examine some fundamental issues in comparative oral epic. Our investigat...
The work is notable for its features. Especially when thinking about a plot, it can also be defined ...