A Study on the 'Gyeongseong' in Colonial Joseon Cinema - Focusing on <Volunteer>(1941) and <Straits Of Joseon>(1943)

??? ??????????????? ?????? ?????? ????????? ?????? ?????? ????????? <?????????>(1941)??? <????????????>(1943)??? ????????????, 1940?????? ????????? ?????? ?????? ??? ????????? ?????? ???????????????. ?????? ???????????? ‘??????’????????? ?????? ????????? ????????? ?????????????????? ???????????? ???????????? ???????????? ???????????? ???????????? ?????????????????? ?????? ???????????????. ??? ????????? ????????? ?????? ????????????. ??????, ??? ???????????? ????????? ?????? ????????? ?????? ???????????? ?????? ???????????? ????????? ????????? ?????? ????????????. ?????? 1930?????? ?????? ??????????????? ????????? ????????? ???????????? ????????????. ??????, <?????????>??? ?????? ????????? ?????? ??? ???????????? ????????? ?????? ?????? ???????????? ????????? ??????, <????????????>????????? ?????? ????????? ????????? ???????????? ???????????? ??????????????? ???????????? ??????, ????????? ????????? ?????? ????????? ?????? ????????? ???????????? ??????????????????. ??????, <?????????>??? ????????? ????????? ????????? ?????? ???????????? ????????? ?????? <????????????>??? ???????????? ???????????? ?????? ????????? ????????? ?????? ???????????? ??????????????? ????????? ????????? ???????????? ??????, ??? ?????? ?????? ????????? ????????? ????????? ?????? ????????? ????????? ??????????????? ?????? ????????? ??????????????? ???????????? ?????? ????????????. ???????????? ????????? ???????????? ???????????? ???????????? ????????? ???????????? ???????????? ??????????????? ???????????? ????????????. I analyzed the representation and signification of Gyeongseong(Seoul) in <Volunteer>(1941) and <Straits of Joseon>(1943) that feature films advocated the military mobilization policy of colonial power. The result of research is summarized as the next. First, Gyeongseong is set as dual space where practical problems appear and get solved in these texts. This point is different from the occasion of the Joseon's film drama in 1930s. Second, the scene of Gyeongseong which is not essential to the storyline is inserted in <Volunteer>. And, Gyeongseong is set to the main spatial background of <Straits of Joseon>. Because of these, Gyeongseong is described the place where the colonial mobilization policy could be realized. Third, <Volunteer>(1941) and <Straits of Joseon>(1943) as propaganda melodrama emphasize the national participation and collaboration to war beyond generations. Gyeongseong is presented as the passage of Imperial Japan and the place of dispatch to the battlefield in that time