THE ORGAN CONCERTO BY DMITRY KITSENKO: PECULIARITIES OF ITS MULTIMEDIA VERSION

The article presents the multimedia version of the Organ concerto by composer Dmitry Kitsenko – the work presented at different stages of his creation in various genre forms, as a result there appeared a kind of supercycle, consolidated by intertextual connections. The multimedia transformation of the Concerto by introducing the visual range based on the works of Albrecht Dürer modifi es the basic concept of this work which requires a new approach to its analysis. The author defi nes its main directions and describes the main features, with an emphasis on the screen material and its relationship with the musical component