The god Eros plays a central role in the plot as well as the architecture of the novel, while at the same time undergoing major transformations. If the god launches the plot, as in other Greek novels, he seems to lose his power over it in favour of the narrator, who gradually diminishes the extent of divine intervention. So much so that by the end, the god Eros, to whom the plot is addressed, becomes but the dedicatee of pastoral activities within the fiction, and of pastoral literary composition outside the fiction. This reversal of the position of Eros over the course of the narrative seems to affect the very existence of the god, even though in no other Greek novel does Eros manifest himself more spectacularly than during his epiphany in...