The concept of ratio (how the etymologies of the proper names of characters work together with their roles in the stage) is studied in this paper as a combination of very different modalities of interpretatio nominis. The experimentalism of Plautus aims at opening the “speaking names” to many degrees of literary suitability, according not only to the dramatic situations but especially to the audience’s fantasy.La notion de ratio (rapport que les étymologies des noms propres des personnages entretiennent avec les fonctions qu’ils exercent sur scène) est étudiée dans ce travail comme une combinaison de modalités d’interpretatio nominis très différentes. L’expérimentalisme de Plaute vise à ouvrir les « noms signifiants » à plusieurs degrés de ...
Many topics and references are common to Plutarch and Athenaeus, who knew Plutarch's "Table Talks". ...
http://methodos.revues.org/document51.htmlNational audienceThe notion of the denomination of a ratio...
The representation of the pantomime in the Greek and Roman novels: the exemples of Longus and Apulei...
The concept of ratio (how the etymologies of the proper names of characters work together with their...
This paper attempts to prove for Plautus the Donatus' remark about personal names in Comedy accordin...
The metaphoric use of proper names applies the image of a notorious character (initial referent) to ...
C’est principalement à travers le thème d’Amphitryon que le théâtre comique, des Latins jusqu’à nos ...
Plaute est l'un des deux seuls auteurs latins dont des pièces entières aient été conservées : le cor...
The fact is well known that Plautus translated plays by Menander and other poets of the « New Comedy...
Aux XVIe et XVIIe siècles, Plaute et Térence furent considérés comme les maîtres de la langue latine...
Pour qui étudie les rapports entre les savoirs rationnels et les mythes, Sénèque apparaît comme un a...
Work and workers in Plautus’ theatre. The comedies of Plautus do not so much seek to present the wor...
Aux XVIe et XVIIe siècles, Plaute et Térence furent considérés comme les maîtres de la langue latine...
Orientador: Isabella Tardin CardosoTese (doutorado) - Universidade Estadual de Campinas, Instituto d...
International audienceMythographic authors in the imperial period (Antoninus Liberalis, ps. Apollodo...
Many topics and references are common to Plutarch and Athenaeus, who knew Plutarch's "Table Talks". ...
http://methodos.revues.org/document51.htmlNational audienceThe notion of the denomination of a ratio...
The representation of the pantomime in the Greek and Roman novels: the exemples of Longus and Apulei...
The concept of ratio (how the etymologies of the proper names of characters work together with their...
This paper attempts to prove for Plautus the Donatus' remark about personal names in Comedy accordin...
The metaphoric use of proper names applies the image of a notorious character (initial referent) to ...
C’est principalement à travers le thème d’Amphitryon que le théâtre comique, des Latins jusqu’à nos ...
Plaute est l'un des deux seuls auteurs latins dont des pièces entières aient été conservées : le cor...
The fact is well known that Plautus translated plays by Menander and other poets of the « New Comedy...
Aux XVIe et XVIIe siècles, Plaute et Térence furent considérés comme les maîtres de la langue latine...
Pour qui étudie les rapports entre les savoirs rationnels et les mythes, Sénèque apparaît comme un a...
Work and workers in Plautus’ theatre. The comedies of Plautus do not so much seek to present the wor...
Aux XVIe et XVIIe siècles, Plaute et Térence furent considérés comme les maîtres de la langue latine...
Orientador: Isabella Tardin CardosoTese (doutorado) - Universidade Estadual de Campinas, Instituto d...
International audienceMythographic authors in the imperial period (Antoninus Liberalis, ps. Apollodo...
Many topics and references are common to Plutarch and Athenaeus, who knew Plutarch's "Table Talks". ...
http://methodos.revues.org/document51.htmlNational audienceThe notion of the denomination of a ratio...
The representation of the pantomime in the Greek and Roman novels: the exemples of Longus and Apulei...