This article advocates that we should understand the sound history as a new way of investigating general history. It focuses upon auditory perception and the political economy of sound utterances, and therefore identifies sound production as an indicator of the valid political and social order. As such, the sound history unearths the specific acoustemology of a given historical society, the way in which people make sense of their world via sounds and their understanding of sound
SSDH is an ongoing digitization project devoted to the history of acoustics, developed in collaborat...
Sound ‘does’ things to places, to people and to time: it can affect change. This collection focuses ...
The invention of the phonograph in the late 19th century started an obsession with the recorded soun...
This article advocates that we should understand the sound history as a new way of investigating gen...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The following article discusses the Sound Archive of the Ruhr. Our project touches upon a set of que...
This article surveys the field and methodology of historical acoustemology, an interdisciplinary are...
How does history sound? What kind of historical document is music? What does it mean to study past m...
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
Long ignored by scholars in the humanities, sound has just begun to take its place as an important o...
The article analyses the political dimension of acoustic practices in early modern Zurich. It combin...
The main problem presented in the article is archeoacoustics understood as a modern subdiscipline of...
International audienceIn this article, Viktoria Tkaczyk, who leads the research team Epistemes of Mo...
International audienceIn this article, Viktoria Tkaczyk, who leads the research team Epistemes of Mo...
SSDH is an ongoing digitization project devoted to the history of acoustics, developed in collaborat...
Sound ‘does’ things to places, to people and to time: it can affect change. This collection focuses ...
The invention of the phonograph in the late 19th century started an obsession with the recorded soun...
This article advocates that we should understand the sound history as a new way of investigating gen...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The following article discusses the Sound Archive of the Ruhr. Our project touches upon a set of que...
This article surveys the field and methodology of historical acoustemology, an interdisciplinary are...
How does history sound? What kind of historical document is music? What does it mean to study past m...
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
Long ignored by scholars in the humanities, sound has just begun to take its place as an important o...
The article analyses the political dimension of acoustic practices in early modern Zurich. It combin...
The main problem presented in the article is archeoacoustics understood as a modern subdiscipline of...
International audienceIn this article, Viktoria Tkaczyk, who leads the research team Epistemes of Mo...
International audienceIn this article, Viktoria Tkaczyk, who leads the research team Epistemes of Mo...
SSDH is an ongoing digitization project devoted to the history of acoustics, developed in collaborat...
Sound ‘does’ things to places, to people and to time: it can affect change. This collection focuses ...
The invention of the phonograph in the late 19th century started an obsession with the recorded soun...