A letter to the Times Higher Education Supplement signed by 48 academics—42 from overseas—cited BFI Publishing’s “unique contribution to the study of film and television around the globe;” a similar letter to the Guardian expressed the concern of 58 academics. [BFI Director Amanda] Nevill, however, is unmoved. “Go back and analyse who these people are. It’s a very small number of people … saying a small number of things”—Time Out
This examination of the gaps and ambiguities linked to Cantrills Filmnotes (CF), an Australian publi...
Academic libraries are experiencing yet another period of rapid change as they move from helping res...
The British Film Institute (BFI) is one of the UK's oldest and most important government-supported c...
An analysis of the events leading up to the partnership deal between the British Film Institute and ...
The following polemical and fallible perspectives on universities and on the television and film ind...
With a growing emphasis on employability and commercial relevance, universities are increasingly inv...
Questions of how we effectively share new insights with a wider public have entered upon the debate ...
In recent years there has been a shift within Australian Universities to a corporate model of manage...
Since the late 1990s various consortia have published papers and reports seeking to establish a sys...
The relative lack of success for British films in the marketplace is often cited as being rooted in ...
Long & Spink identified that a proportion of the notable low, micro and no-budget producers intervie...
A piece for the Times Literary Supplement blog on what it means to study contemporary fiction in the...
Valuing the production of screen works as research in the academy has become an urgent matter of res...
Like most British scholars of film and television of my generation, I am formed by the British Film ...
Valuing the production of screen works as research in the academy has become an urgent matter of res...
This examination of the gaps and ambiguities linked to Cantrills Filmnotes (CF), an Australian publi...
Academic libraries are experiencing yet another period of rapid change as they move from helping res...
The British Film Institute (BFI) is one of the UK's oldest and most important government-supported c...
An analysis of the events leading up to the partnership deal between the British Film Institute and ...
The following polemical and fallible perspectives on universities and on the television and film ind...
With a growing emphasis on employability and commercial relevance, universities are increasingly inv...
Questions of how we effectively share new insights with a wider public have entered upon the debate ...
In recent years there has been a shift within Australian Universities to a corporate model of manage...
Since the late 1990s various consortia have published papers and reports seeking to establish a sys...
The relative lack of success for British films in the marketplace is often cited as being rooted in ...
Long & Spink identified that a proportion of the notable low, micro and no-budget producers intervie...
A piece for the Times Literary Supplement blog on what it means to study contemporary fiction in the...
Valuing the production of screen works as research in the academy has become an urgent matter of res...
Like most British scholars of film and television of my generation, I am formed by the British Film ...
Valuing the production of screen works as research in the academy has become an urgent matter of res...
This examination of the gaps and ambiguities linked to Cantrills Filmnotes (CF), an Australian publi...
Academic libraries are experiencing yet another period of rapid change as they move from helping res...
The British Film Institute (BFI) is one of the UK's oldest and most important government-supported c...