6. Primeira missa no Brasil (First Mass in Brazil), 1860. This painting by Vítor Meireles de Lima is a romanticized vision of the arrival of Christianity in Brazil and its introduction among the indigenous peoples of the country. Meireles was an accomplished academy-trained painter of large-scale romanticized historical subjects which were commissioned and well- received from mid-to late Nineteenth Century.https://digitalrepository.unm.edu/brazil_slides/1729/thumbnail.jp
Teaching ResourceTeaching Resource10. O importunato (The Importunate), 1898 by José Ferraz de Almeid...
13. Engenho de mandioca (Manioc Mill), 1892. Modesto Brocos y Gómes also used rural subjects, here p...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource6. Primeira missa no Brasil (First Mass in Brazil), 1860. This pai...
Teaching ResourceTeaching Resource7. Moema, 1863. Meireles's painting of a Brazilian Indianist liter...
Teaching ResourceTeaching Resource1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo A...
1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo Antonio in Rio de Janeiro) by Nicol...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José da Motta was one of the early sti...
10. O importunato (The Importunate), 1898 by José Ferraz de Almeida, Jr. This painting is typical of...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
Teaching ResourceTeaching Resource10. O importunato (The Importunate), 1898 by José Ferraz de Almeid...
13. Engenho de mandioca (Manioc Mill), 1892. Modesto Brocos y Gómes also used rural subjects, here p...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...
Teaching ResourceTeaching Resource6. Primeira missa no Brasil (First Mass in Brazil), 1860. This pai...
Teaching ResourceTeaching Resource7. Moema, 1863. Meireles's painting of a Brazilian Indianist liter...
Teaching ResourceTeaching Resource1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo A...
1. O Morro do Santo Antonio no Rio de Janeiro (The Hill of Santo Antonio in Rio de Janeiro) by Nicol...
Teaching ResourceTeaching Resource19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José...
19. Mamão e melancia (Papaya and Watermelon), 1860. Agostinho José da Motta was one of the early sti...
10. O importunato (The Importunate), 1898 by José Ferraz de Almeida, Jr. This painting is typical of...
27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazil of radically modern painting was...
30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad), 1924. Tarsila do Amaral is a le...
31. Morro da favela (Shantytown Hill), 1924. Tarsila painted the Black inhabitants of a Rio hillside...
Teaching ResourceTeaching Resource30. Estrada de Ferro Central do Brasil (Brazilian Central Railroad...
Teaching ResourceTeaching Resource27. Duas amigas (Two Friends), 1913. The earliest exhihit in Brazi...
Teaching ResourceTeaching Resource10. O importunato (The Importunate), 1898 by José Ferraz de Almeid...
13. Engenho de mandioca (Manioc Mill), 1892. Modesto Brocos y Gómes also used rural subjects, here p...
Teaching ResourceTeaching Resource21. A copa (The Pantry), c. 1905. A Twentieth century still-life b...