Add to ORKGGuest editors Nicola McCartney and K.S Morgan McKean have created a wonderful theatre-based issue of the Review, which tied in beautifully with the Haggis Hunting: 50 Years of New Playwriting in Scotland conference
This second issue of the Scottish Journal of Performance explores the past, present and future of pe...
An in-depth look at the rapidly changing landscape of British and Irish theatre since 1979, this tex...
Theatre & Scotland raises the curtain on a Scottish performance culture that is more vital and rauco...
Guest editors Nicola McCartney and K.S Morgan McKean have created a wonderful theatre-based issue of...
The genesis of the Scottish Journal of Performance sprang from a wish amongst doctoral students base...
The National Theatre of Scotland (NTS), which began producing work early in 2006, is a building-less...
Horvat was invited to contribute an article on the writing of Scottish women playwrights for the 200...
Documentary, 'makey-up ' storytelling and new modes of writing for the Scottish stage
This review considers Shakespeare and Lost Plays: Reimagining Drama in Early Modern England
This review considers Shakespeare and Lost Plays: Reimagining Drama in Early Modern England
Since the turn of the century Scottish drama has struggled to create drama distinct from England's. ...
The Edinburgh Companion to Contemporary Scottish Literature examines the ways in which the cultural ...
Book review: Contemporary Scottish plays, edited by Trish Reid. London: Bloomsbury, 2014; ISBN: 978...
Ajay Close, Amanda Thomson, Ambrose Parry (pseudonym used by the writing duo Chris Brookmyre and Mar...
Co-written introduction plus six essays, including one from each editor. 63,000 words total
This second issue of the Scottish Journal of Performance explores the past, present and future of pe...
An in-depth look at the rapidly changing landscape of British and Irish theatre since 1979, this tex...
Theatre & Scotland raises the curtain on a Scottish performance culture that is more vital and rauco...
Guest editors Nicola McCartney and K.S Morgan McKean have created a wonderful theatre-based issue of...
The genesis of the Scottish Journal of Performance sprang from a wish amongst doctoral students base...
The National Theatre of Scotland (NTS), which began producing work early in 2006, is a building-less...
Horvat was invited to contribute an article on the writing of Scottish women playwrights for the 200...
Documentary, 'makey-up ' storytelling and new modes of writing for the Scottish stage
This review considers Shakespeare and Lost Plays: Reimagining Drama in Early Modern England
This review considers Shakespeare and Lost Plays: Reimagining Drama in Early Modern England
Since the turn of the century Scottish drama has struggled to create drama distinct from England's. ...
The Edinburgh Companion to Contemporary Scottish Literature examines the ways in which the cultural ...
Book review: Contemporary Scottish plays, edited by Trish Reid. London: Bloomsbury, 2014; ISBN: 978...
Ajay Close, Amanda Thomson, Ambrose Parry (pseudonym used by the writing duo Chris Brookmyre and Mar...
Co-written introduction plus six essays, including one from each editor. 63,000 words total
This second issue of the Scottish Journal of Performance explores the past, present and future of pe...
An in-depth look at the rapidly changing landscape of British and Irish theatre since 1979, this tex...
Theatre & Scotland raises the curtain on a Scottish performance culture that is more vital and rauco...