The Evolving Depictions of Women in Films about the Holocaust (Die sich entwickelnden Darstellungen von Frauen in visuellen Texten zum Holocaust)

This paper explores how women are depicted in films about the Holocaust. Close readings of three films about the Holocaust reveal that the year of production, not the gender of the director or country of origin, is the greatest factor in how women are depicted. The miniseries Holocaust (1978) set the stage for depictions of women as naive and sexualized. Europa Europa (1990) continued to depict women in a typical way, as set by Holocaust (1978). Phönix (2014) departed from typical depictions of women by showing them as independent and not sexualized