Unlike many other nineteenth-century antidance writers who base their arguments on Scripture, Wilkinson asks that his readers formulate their opinions on reason, conscience, and common sense. In fact, Wilkinson argues that he is not an enemy of dance and declares it to be perfectly innocent. His argument is against the "modern manner of dancing" that requires expensive clothing and the "massing together of a jostling crowd of mute or merely gibbering animals." Thus, he summarizes, dancing does nothing to "enhance the intellectual improvement of society.
An antidance treatise. The argument presented by the anonymous author is based on the idea that danc...
This antidance treatise was directed at the large German-speaking population that settled in the mid...
In sixteenth- and early seventeenth-century Europe dance frequently emerged as the subject of vigoro...
At first glance, Hubbert appears to be presenting both pro and con agruments regarding the suitabili...
This antidance work is typical of the genre of dance writing that has its roots in published works r...
This antidance treatise presents three of the central arguments for this genre of literature. First,...
This antidance treatise is divided into four parts. The first part discusses the physical effects of...
An early example of an antidance treatise, this manual provides a foundation for arguments that cont...
This book is typical of mid-nineteenth century antidance works. While many writers noted that the Bi...
Substantiated by quotations from other writers including Pascal, the Prince of Conti, Chief Justice ...
In this book, dancing master Mason attempts to make a case for the advantages of dancing and traces ...
Like other publications of its kind, this antidance treaty defends the dances of the Greeks and Roma...
The legacy of the Renaissance and baroque era is a complex one. The period witnessed a variety of da...
Like other publications of its kind, this antidance treaty defends the dances of the Greeks and Roma...
This manual consists of a sermon presented at Saint Luke's Lutheran Church, on 13 February 1921 in C...
An antidance treatise. The argument presented by the anonymous author is based on the idea that danc...
This antidance treatise was directed at the large German-speaking population that settled in the mid...
In sixteenth- and early seventeenth-century Europe dance frequently emerged as the subject of vigoro...
At first glance, Hubbert appears to be presenting both pro and con agruments regarding the suitabili...
This antidance work is typical of the genre of dance writing that has its roots in published works r...
This antidance treatise presents three of the central arguments for this genre of literature. First,...
This antidance treatise is divided into four parts. The first part discusses the physical effects of...
An early example of an antidance treatise, this manual provides a foundation for arguments that cont...
This book is typical of mid-nineteenth century antidance works. While many writers noted that the Bi...
Substantiated by quotations from other writers including Pascal, the Prince of Conti, Chief Justice ...
In this book, dancing master Mason attempts to make a case for the advantages of dancing and traces ...
Like other publications of its kind, this antidance treaty defends the dances of the Greeks and Roma...
The legacy of the Renaissance and baroque era is a complex one. The period witnessed a variety of da...
Like other publications of its kind, this antidance treaty defends the dances of the Greeks and Roma...
This manual consists of a sermon presented at Saint Luke's Lutheran Church, on 13 February 1921 in C...
An antidance treatise. The argument presented by the anonymous author is based on the idea that danc...
This antidance treatise was directed at the large German-speaking population that settled in the mid...
In sixteenth- and early seventeenth-century Europe dance frequently emerged as the subject of vigoro...