This manual is designed as a self-teacher for those who cannot or, according to the author, are unwilling to attend dance classes. Additionally, Cree declares the most popular dances to be the Lame Duck Valse, valse, one step, foxtrot, and lancers. Although he includes instructions for a Three Step or Straight Jazz, and a Tango Valse, the manual does not reflect dances that were being performed during the late teens
Written for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be...
This is a series of three pamphlets, each from sixteen to twenty-four pages, that describes the walt...
This manual is a compilation of previously published materials. The guide begins with a brief descri...
This manual suggests that anyone can learn to dance without the aid of a teacher. After providing a ...
Designed for people who never learned to dance either because of bashfulness or lack of time or mone...
Like many other nineteenth-century dance manuals, much of the material in The ball-room guide is not...
Many manuals compiled from previously published sources under a variety of author names were aimed a...
This small manual is aimed at a non-urban population and, although it contains substantial sections ...
This manual, small enough to fit into a pocket, declares that it contains "all the information which...
This is one of several manuals credited to the well-known American inventor, Elias Howe. Like many n...
The format for this manual is typical of nineteenth-century dance treatises. It begins with a short ...
This manual begins, as do others of the period, with a general introduction that covers the necessit...
Although the manual begins with a description of the "five ballet positions," the book is intended f...
Although much of the material in this manual is borrowed from the dance writings of Charles Durang, ...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
Written for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be...
This is a series of three pamphlets, each from sixteen to twenty-four pages, that describes the walt...
This manual is a compilation of previously published materials. The guide begins with a brief descri...
This manual suggests that anyone can learn to dance without the aid of a teacher. After providing a ...
Designed for people who never learned to dance either because of bashfulness or lack of time or mone...
Like many other nineteenth-century dance manuals, much of the material in The ball-room guide is not...
Many manuals compiled from previously published sources under a variety of author names were aimed a...
This small manual is aimed at a non-urban population and, although it contains substantial sections ...
This manual, small enough to fit into a pocket, declares that it contains "all the information which...
This is one of several manuals credited to the well-known American inventor, Elias Howe. Like many n...
The format for this manual is typical of nineteenth-century dance treatises. It begins with a short ...
This manual begins, as do others of the period, with a general introduction that covers the necessit...
Although the manual begins with a description of the "five ballet positions," the book is intended f...
Although much of the material in this manual is borrowed from the dance writings of Charles Durang, ...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
Written for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be...
This is a series of three pamphlets, each from sixteen to twenty-four pages, that describes the walt...
This manual is a compilation of previously published materials. The guide begins with a brief descri...