Many manuals compiled from previously published sources under a variety of author names were aimed at an ever-expanding group of people who could not avail themselves of a dance master. This work strives to instruct in a plain and explicit manner, making no attempts to discuss dance "technically and methodically." The manual is structured as a series of lessons. For example, lesson one of eleven on the waltz requires the reader to begin by being "seated upright in a chair." The manual also covers the polka, glide polka, heel and toe polka, schottisch, quadrilles, and the German (also known as the cotillon)
Designed for people who never learned to dance either because of bashfulness or lack of time or mone...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
This is a typical example of a manual compiled from previously published materials and assembled by ...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
Although much of the material in this manual is borrowed from the dance writings of Charles Durang, ...
The author of this manual claims that many books on dance lack simple explanations; this work is adv...
Unlike earlier manuals that contained detailed information on etiquette, this manual reflects the la...
The format for this manual is typical of nineteenth-century dance treatises. It begins with a short ...
This manual was originally published in 1864 with subsequent editions in 1865, 1866, and 1868 when t...
This manual begins, as do others of the period, with a general introduction that covers the necessit...
Dancing master and composer Dodworth's manual was originally published in 1885 and "new and enlarged...
This manual, small enough to fit into a pocket, declares that it contains "all the information which...
Written for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be...
A translation of La danse des salons (1847), this manual provides important information on mid-ninet...
Designed for people who never learned to dance either because of bashfulness or lack of time or mone...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
This is a typical example of a manual compiled from previously published materials and assembled by ...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
Although much of the material in this manual is borrowed from the dance writings of Charles Durang, ...
The author of this manual claims that many books on dance lack simple explanations; this work is adv...
Unlike earlier manuals that contained detailed information on etiquette, this manual reflects the la...
The format for this manual is typical of nineteenth-century dance treatises. It begins with a short ...
This manual was originally published in 1864 with subsequent editions in 1865, 1866, and 1868 when t...
This manual begins, as do others of the period, with a general introduction that covers the necessit...
Dancing master and composer Dodworth's manual was originally published in 1885 and "new and enlarged...
This manual, small enough to fit into a pocket, declares that it contains "all the information which...
Written for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be...
A translation of La danse des salons (1847), this manual provides important information on mid-ninet...
Designed for people who never learned to dance either because of bashfulness or lack of time or mone...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
This is a typical example of a manual compiled from previously published materials and assembled by ...