Cleveland's manual opens with an interesting account of the building blocks required for setting up a successful private dancing academy. He includes discussion on the architectural requirements, music, progress of students, hours and division of classes, dealing with children, and how to manage balls. The second part of the manual covers "fashionable dances," and the author describes quadrilles, the "Boston Waltz," and twenty-nine figures for the German (also known as cotillon), a group dance comprised of a series of party games
A translation of La danse des salons (1847), this manual provides important information on mid-ninet...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
Like many other nineteenth-century dance manuals, much of the material in The ball-room guide is not...
Written for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be...
This manual begins, as do others of the period, with a general introduction that covers the necessit...
Although much of the material in this manual is borrowed from the dance writings of Charles Durang, ...
Dancing master and composer Dodworth's manual was originally published in 1885 and "new and enlarged...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
This is one of several manuals credited to the well-known American inventor, Elias Howe. Like many n...
The format for this manual is typical of nineteenth-century dance treatises. It begins with a short ...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
Many manuals compiled from previously published sources under a variety of author names were aimed a...
This manual, small enough to fit into a pocket, declares that it contains "all the information which...
This manual was originally published in 1864 with subsequent editions in 1865, 1866, and 1868 when t...
This is a typical example of a manual compiled from previously published materials and assembled by ...
A translation of La danse des salons (1847), this manual provides important information on mid-ninet...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
Like many other nineteenth-century dance manuals, much of the material in The ball-room guide is not...
Written for teachers of ballroom dance, this manual is illustrated with many diagrams designed to be...
This manual begins, as do others of the period, with a general introduction that covers the necessit...
Although much of the material in this manual is borrowed from the dance writings of Charles Durang, ...
Dancing master and composer Dodworth's manual was originally published in 1885 and "new and enlarged...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
This is one of several manuals credited to the well-known American inventor, Elias Howe. Like many n...
The format for this manual is typical of nineteenth-century dance treatises. It begins with a short ...
This manual is acknowledged by the author to be a compilation of other sources. In its eight chapter...
Many manuals compiled from previously published sources under a variety of author names were aimed a...
This manual, small enough to fit into a pocket, declares that it contains "all the information which...
This manual was originally published in 1864 with subsequent editions in 1865, 1866, and 1868 when t...
This is a typical example of a manual compiled from previously published materials and assembled by ...
A translation of La danse des salons (1847), this manual provides important information on mid-ninet...
New York dancing master Hillgrove acknowledges that he has "availed himself of all the books from wh...
Like many other nineteenth-century dance manuals, much of the material in The ball-room guide is not...