Add to ORKGDance as art has been philosophically characterized as involving the natural expressiveness of human movements. But while some authors find the defense of expressiveness essential, others claim that it is not relevant to the understanding of dance and favour instead a focus on style, a supposedly more significant artistic feature. This paper is an attempt to provide an alternative account to both these positions, with the first (namely, that the dancers are supposed to convey emotions to us by their naturally expressive movements) seeming too naturalistic and the second (that dance only consists in the performance of complicated gestures of a certain s...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
In dance/movement therapy (DMT), it is a shared belief that humans can use dance movement to express...
Dance as art has been philosophically characterized as involving the natural expressivenes...
Dance as art has been philosophically characterized as involving the natural expressivenes...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
As dance is an instrument of expressing one’s emotion, it exists almost every society in vario...
A choreological perspective of dance is preoccupied with the processes of creating, performing and a...
Dance, like most other art forms, is not intrinsically representational. In fact, the expressive, ri...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
In dance/movement therapy (DMT), it is a shared belief that humans can use dance movement to express...
Dance as art has been philosophically characterized as involving the natural expressivenes...
Dance as art has been philosophically characterized as involving the natural expressivenes...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
As dance is an instrument of expressing one’s emotion, it exists almost every society in vario...
A choreological perspective of dance is preoccupied with the processes of creating, performing and a...
Dance, like most other art forms, is not intrinsically representational. In fact, the expressive, ri...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
As a kinetic bodily logos dance movements could be seen as a language communicating feelings and emo...
In dance/movement therapy (DMT), it is a shared belief that humans can use dance movement to express...