Images of extreme and ever more graphic violence are a part of contemporary culture. Since students cannot avoid them, such images should be addressed by aesthetic educators. But this will require a theory for the analysis and evaluation of the aesthetic properties of violent imagery. The main thesis of this essay is that depiction of violence in certain recent art works can be understood as aiming at aesthetic perception of the sublime. We develop a model for interpreting works in this way by first presenting and then drawing on Kant’s analysis of aesthetic perception of the sublime. Our thesis is important for both aesthetic and moral education. According to Kant’s remarkably sensitive analysis, aesthetic perception of the sublime plays a...