Violence has long been a factor in human life and has been widely depicted in the arts. This essay explores how the artistic and appreciative responses to violence have been practiced, understood, and valued. It emphasizes the difference between the aesthetics of distant, disinterested appreciation and the engaged appreciative experience of violence in the arts, and insists on the relevance of their behavioral and ethical implications
This paper argues for several claims about the moral relevance of the aesthetic: that attention to a...
For Zˇ izˇek (Violence: Six Sideways Reflections, 2008) the apparently imperceptible aspect...
This essay traces the steps to a social aesthetics. I begin by affirming the central place of sense ...
As the range of the aesthetic has expanded to cover not only a wider range of objects and situations...
The discipline of aesthetics is generally associated with art and the word ‘aesthetics’ is often tak...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
Images of extreme and ever more graphic violence are a part of contemporary culture. Since students ...
An act of violence, be it personal or institution is an event that would distress most witnesses. Y...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
This paper discusses the body of artwork developed for my thesis series, Aesthetics of Violence, whi...
Art has a major role in political critique and in the contemporary world of art, ethics, politics, a...
Aesthetics is thought of as not only a theory of art or beauty, but also includes sensibility, exper...
This paper will investigate how contemporary artists who use political violence as a subject matter ...
ABSTRACT When I first reflected on the title of this symposium, I thought it could be read as an inv...
As the range of the aesthetic has expanded to cover not only a wider range of objects and situations...
This paper argues for several claims about the moral relevance of the aesthetic: that attention to a...
For Zˇ izˇek (Violence: Six Sideways Reflections, 2008) the apparently imperceptible aspect...
This essay traces the steps to a social aesthetics. I begin by affirming the central place of sense ...
As the range of the aesthetic has expanded to cover not only a wider range of objects and situations...
The discipline of aesthetics is generally associated with art and the word ‘aesthetics’ is often tak...
There have been numerous critical articles on what really happened on the otherwise beautiful mornin...
Images of extreme and ever more graphic violence are a part of contemporary culture. Since students ...
An act of violence, be it personal or institution is an event that would distress most witnesses. Y...
At the end of the twentieth century there was a critical shift from prioritizing the anti-aesthetic ...
This paper discusses the body of artwork developed for my thesis series, Aesthetics of Violence, whi...
Art has a major role in political critique and in the contemporary world of art, ethics, politics, a...
Aesthetics is thought of as not only a theory of art or beauty, but also includes sensibility, exper...
This paper will investigate how contemporary artists who use political violence as a subject matter ...
ABSTRACT When I first reflected on the title of this symposium, I thought it could be read as an inv...
As the range of the aesthetic has expanded to cover not only a wider range of objects and situations...
This paper argues for several claims about the moral relevance of the aesthetic: that attention to a...
For Zˇ izˇek (Violence: Six Sideways Reflections, 2008) the apparently imperceptible aspect...
This essay traces the steps to a social aesthetics. I begin by affirming the central place of sense ...
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